Location: Turkey
INDIVIDUAL EXHIBITIONS
2000- January, Kare Art Gallery, Istanbul
1998- April, Kare Art Gallery, Istanbul
1995- October, Kare Art Gallery, Istanbul
1993- April, Sanatbank Gallery, Istanbul
1991- October, Zebra Art Gallery, Istanbul
AWARDS
2013 - Chianciano Art Biennial - European Confederation of Art Critics Award- First Prize
1999- Marine Forces 3rd Painting Exhibition, Istanbul-Second Prize
COLLECTIVE EXHIBITIONS
2014- "+ Ozgurluk Exhibition" - Mimar Sinan University 1980 Alumni Exhibition
2013- Chianciano Art Biennial, Chianciano Terme, Italy
2012- Athens Art Fair, Gallery Binyil, Athens, Greece
2011- Chianciano Art Biennial, Chianciano Terme, Italy
2000- "Last Squars", Kare Art Gallery, Istanbul
2000- For Turkish Benevolent Society, Cankaya President's Chalet, Ankara
1999- 9th Istanbul Art Fair, Kare Art Gallery,TUYAP, Istanbul
1999- Turkey Jokey Club 4th Painting Exhibition, Istanbul
1999- 75th Anniversary Turkish Art Exhibition, Ankara-Istanbul
1999- Marine Forces 3rd Painting Exhibition, Istanbul
1998- 9th Istanbul Art Fair, Kare Art Gallery,TUYAP, Istanbul
1998- Contemporary Art, Black Art Gallery, Bursa
1997- Collective Exhibition, Kare art Gallery, Istanbul
1996- "Masters &Youngers", Baraz Art Gallery, Istanbul
1996- "Young Artists", Almelek Art Gallery, Istanbul
1996- "Meeting", Derimod Cultural Center, Istanbul
1995- Collective Exhibition, Kare Art Gallery, Istanbul
1995- "First Step Tuzla/Bosna-Hercegovina", Yildiz Palace,Istanbul
1994- Cevre Baris Sergisi, Yildiz SArayi Silahane, Istanbul
1994- Collective Exhibition, Pavo Art Gallery, Istanbul
1993- Collective Exhibition, Baldem Art Gallery, Istanbul
1992- "III. Istanbul Arts Fair", Tuyap Exhibition Center, Istanbul
1992- Dual Exhibition, Yonca Modern Art Gallery, Istanbul
1991- Collective Exhibition, Zebra Art Gallery, Istanbul
1991- "Lmodern Group", Cemal Resit Rey Exhibition Hall, Istanbul
1990- Repetition of Kassel Exhibition. derimod Cultural Center, Istanbul
1990- Mimar Sinan University Faculty Members and Students Exhibition, Kessel, Germany
1990- "Across- Section of XI. Contemporary Artists Exhibition", K.S.M.,Istanbul
1990- "XI. Contemporary Artists Exhibition", Museum of Painting & Sculpture, Istanbul
1990- Collective Exhibition, Yapi Kredi Bank Kazim Taskent Gallery, Istanbul
1990- "Four Seperate" Soyak Art Gallery, Istanbul
1987- "Youth Festival Exhibition", Istanbul
1989-1992- She also completed the graduate program of the same faculty and achivied the M.A. degree.
1984-1989 - She has graduated from Mimar Sinan University of Fine Arts, Painting Department.
1967- Having born in Istanbul.
Many of the masterpieces are kept in private collections and recently she continues her studies in Istanbul.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
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