Location: United Kingdom
Currently I am considering how we occupy space, how we create safe spaces in communal environments along with a bit of a look at aspirational living.
Generally I have an unnecessary concern with the temporary. And a big attraction to objects.
My work explores the ideas and ideologies that put forward the notion of home as a place of safety.
It addresses a notion of feminine conflict through the materials and techniques I use. Working this way aims to suggest a sense security, nurturing and comfort on one level while simultaneously showing the tension and flaws.
I embrace what are traditionally considered craft construction techniques. I create work using collage, knitting, and reclaimed domestic objects. By using these techniques and easily recognisable objects my work aims to offer a sense of accessibility as a way to give the viewer a “way in”. I hope that by choosing to create work from everyday practices and objects increases the chance for discourse between the viewer and artwork.
Making, defining, coping with shared space.
A physical manifestation of imagined definition of domestic space.
A small look at interaction and definition of intimate, personal and domestic space.
A small look at interaction and definition of intimate, personal and domestic space.
you know, if you owned all these things you would be a better person. I am surrounded by objects that define me.
“Some even grew rich and became the object of their neighbours envy number 4”
A Brectian look at aspirational living.
Steady, steady...
“Some even grew rich and became the object of their neighbours envy number 2”
A Brectian look at aspirational living. With the help of Country Living Magazine.
“18:48 number 1”
“18:48 number 2”
“18:48 number 3”
“Lighthouse number 1”
“Lighthouse number 2”
