Location: Australia
I began practicing and exhibiting as a painter in 1989. Previously, he had been trained and regularly exhibited in Sydney as a sculptor/installation artist after studying at Alexander Mackie CAE in the 1970s. Greg completed a Master of Arts in painting at Western Sydney University in 1999. At this point his work evolved to embrace the concept of totalized time and the stratification of memory. His recent work has been focused on the significance of location, my family history and social history through more traditional genres and techniques such as landscape, still life and portraiture. His painting technique evolved from linear expressionist landscape paintings in the 1990s to collaged compositions of family, location and social history in Alkyd mediums to my more recent traditional solvent-free oil painting processes used by the great Baroque masters, C19th Romanticists and Pre-Raphaelites. All payments for works through International Money Bank Transfer or Paypal.
In the series "Groupthink" I sought to examine the nature of group behaviour across a range of sub-cultures and social environments. The paintings on canvas and paper focus on sporting, business, recreational and leisure milieus which appear mundane and benign, but reveal recent change in cultural and social values, family behaviour and human relationships.
A satirical artwork from the Series "Groupthink" examining the nature of moralistic hypocrisy in contemporary society and media. The work parodies celebrity and the commodification of sex.
158 x 105 x 3 cm AUD$2500
Available on www.saatchiart.com/
gregcliffeartist
This figurative narrative is about the change in family and social values over generations. I am attempting to make everyday life an archetypal reflection on human behaviour. This work combines memories from different times, places and families to examine the human traits of greed, envy, betrayal and devotion. Art in The Mountains Painting Section winner 2000.
169 x 122 x 3 cm AUD$2500
Available on www.saatchiart.com/
gregcliffeartist
Oil painting inspired by my stay in Paris in 1984 and the current state of siege in the Western World.
SOLD
Sunday Hit and Miss is a combination of memories of social cricket and a reflection upon over-competitive behaviour. Finalist Hawkesbury Art Prize 2014. AUD$2500.
Available on www.saatchiart.com/
gregcliffeartist
Groupthink is a mode of thinking that people engage in when they are deeply involved in a cohesive in-groups, when the members' strivings for unanimity override their motivation to realistically appraise alternative courses of action. This work about the dance marathon phenomena alludes to the modern dance party and references the hysteria of the "Dance Plague" of 1518 by Breugel. A humorous reflection on the Dance Party craze.
158 x 105 x 3 cm AUD$2100
Available on www.saatchiart.com/
gregcliffeartist
Part of the Series "Fragmented Values: Compulsive Lives, this work referenced Caravaggio, Bosch and Daumier in an attempt to make everyday life an archetypal reflection on human behaviour. It draws on stories and photo-documentation in juxtaposing events and places from different times with present social concerns. It peels back the strata of accumulated memory of people and spaces to form a layering of substance, sensation and thought in a totalised time.175 x 122 x 3 cm AUD$2100
Available on www.saatchiart.com/
gregcliffeartist
A figurative oil painting entitled Moderne Melange. The work highlights how Modernist thought has a tendency to marginalize traditional approaches to painting. AUD $2000 93 x 122 x 3.5 cm
Available on https://www.saatchiart.com/
gregcliffeartist
Part of Groupthink series, this work focuses on mass hysteria and crowd psychology. 132 x 97 x 6 cm AUD$1350.
SOLD
Groupthink is a mode of thinking that people engage in when they are deeply involved in a cohesive in-groups, when the members' strivings for unanimity override their motivation to realistically appraise alternative courses of action. This work about the dance marathon phenomena alludes to the modern dance party and references the hysteria of the "Dance Plague" of 1518 by Breugel.AUD$1900 Oil, Ink, pastel on primed water colour paper. Needs framing to hang.
Available on www.saatchiart.com/
gregcliffeartist
My recent landscape, and figure in landscape work, has been focused on the significance of location, my family history, folk narrative and social history through traditional genres and techniques. It is extending the work I have done with group figurative compositions in the series "Groupthink" and "Fragmented Values: Compulsive Lives". It explores the places associated with the stories I have explored in the two previous series. Now have become fascinated with how places of origin, their historical/ socio-political conditions shape individuals of a family lineage and their communities. My studio research has evolved to embrace the concept of totalized time and the stratification of memory and lends itself to the historical references I use in my landscape paintings, creating a mixture of philosophical and ideological threads through time. My painting technique, having evolved from linear expressionist landscape paintings in the 1990s to montaged composition imagery of family and social history in Alkyd mediums in the early 2000s. This eventually developed into my recent traditional solvent-free oil painting processes used by the Baroque masters, C19th Romanticists and Pre-Raphaelites.
My ancestor, privateer merchant navy Captain Henry Passmore sailed heavily armed merchant ships in the C18th and was likely killed when his main mast collapsed whilst coming aground on the Scarweather Sands or at Cape Grisnez, France in 1810 in a violent storm. My oil paintings embrace the concept of the “stratification of memory” through historical referencing. My recent work focuses on the significance of location on my family history and social history. 91 x 61 x 3.5 cm AUD $2100
Available through www.saatchiart.com/
gregcliffeartist
Highly Commended at the Maritime Art Award 2020.
Visiting Amsterdam in 1982 I became fascinated when I discovered that my ancestors were merchant seamen in the C18th who captained privateer boats visiting Amsterdam, Palermo, Messina and Bengal. AUD $2826. 92 x 61 x 3.5 cm
SOLD on www.saatchiart.com
As someone living in a town inside a national park I constantly witness traces of human presence being [seemingly] indelibly scratched into the surface of the earth by significant marks left by machinery, development and vehicles in the same way an artist leaves daubs of paint upon the surface of a canvas.
Having once been lost in a Queensland National Park I became aware that one often feels a foreboding about the isolation within a national park wilderness. I have sought to elicit a sense of danger or menace that often accompanies this but also the sadness about the continual exploitation and damage to the fringes of wilderness. Shortlisted Finalist, Scope Environmental Art Prize 2014. 137 x 108 x 3 cm AUD$2500
Available on www.saatchiart.com/
gregcliffeartist
“Sex and the Circus_Cliffe”
“Faith, Hope and Enmity”
“Whysteria in St Germain”
“Sunday Hit and Miss”
“Dance Party”
“The Betrayal of Lady Wisdom”
“Modern Melange”
“Whysteria”
“Dance Marathon”
“Shipwrecking”
“Prinsengracht 1982”
“From a Dark Place”
