Location: United States
Diane Destiny received her MFA Degree from California State University, LosAngeles. Since graduation she has taught at Mission College, CSU Northridge, Polytechnic, Pomona’ and CSU Los Angeles to name a few.
She has had eight one person exhibits, the last in Bergamot Station, Santa Monica. Ms. Destiny has also exhibited her work in competitive and invitational Annuals and group exhibitions far too many to list.
She received the Annual Juried Exhibition of Works on Paper, Purchase Award, Brand Library Art Galleries and the Annual Westwood Art Association 1st place cash award. In addition she has won other prizes and awards. She was also awarded a Sculpture Commission for Southern Colorado State University, Pueblo, Colorado.
Her work can be found in the following publications: “Feminists Who Changed America 1963 – 1975”, The International Library of Photography, Priceless Treasures, 1999;“Visions Art Quarterly,” 1993/94; and Guide to Artists in Southern California Art Resource Publication, Cambridge Whos Who www.cambridgewhoswho.com, L. A. Rising SoCal Artists Before 1980 by Lyn Kienholz, Visionary Poetry self published.
Her work is in permanent collections at the National Museum of Women in theArts, Washington, DC and the Brand Library, Glendale, CA
Website dianedestiny.com
Artists Statement
Encaustic Visionary Poetry
Diane Destiny
Visionary Poetry is a give and take process where the artist, Diane Destiny, creates the vision based on a poem written by Joyce Stein OR the artist creates the vision and the poet responds by writing a poem based on the art piece. The images are created on the computer, printed on canvas, presented on brushed aluminum and finished as an encaustic painting. Encaustic is an archaic medium that literally means “to burn.” My work is a contemporary expression executing the Ancient use of Pigmented Wax. The medium of encaustic is the master of layer after layer of intrigue resulting in multiple surprises.
Poetry makes the reader experience through the verse and its rhythm the thoughts and feelings of the poet. The words chosen are based on the poet’s reaction to the visual impact of the art piece. Words have their own color and shape and the artist reacts to them with her individual vision of their meaning.
The art piece and the poem are designed to complement each other. Each Painting is accompanied by an audio recording for the viewer to listen to the Poem while viewing the Painting. Some viewers and readers may find their own interpretation of a specific combination and that adds even more to the viewing.
For an audio presentation go to: www.dianedestiny.com
Enjoy!
ENERGY
Earth makes energy. White chemical
deposits, next to green pools where earth’s
insides boil to the surface, bubbling up,
releasing odorous gas. Global locales
in places like Yellowstone, Rotorua.
Thermal energy. Useful, but not enough.
Rivers rush headlong, breathtaking, into
corrals behind dams, energize gears to turn
machines, turbines to create power for us,
light to fight darkness and fear,
communications.We talk to, watch each other.
Water power. Good, but not enough.
Greedy humans, we need more, more, faster.
We must exceed nature, search for new
energy sources. Reach up. Reach down.
Up we find wind, sunlight, clean,
Slow
Down we find coal to burn, gas to burn,
polluting our air, atmosphere, dirty.
Fast.
Me, you, all of us need to make
small sacrifices,
wise choices.
Soon.
By Joyce Stein
FLOATING WORLDS
Breath forced through pursed
lips floats the bubbles
high, rising, away,
dripping with suds.
The bubbles blush
Pink-to-violet
tints that slide across
the skin of the spheres
as I follow,
focused on their
translucent shapes.
Air alone can move them,
my touch too solid
to shepherd such delicacy
One by one they break,
vanish, leave space
emptier than it was
before they were here.
The pastel rainbow
disappears with them
and I miss it for
the rest of the day.
By Joyce Stein
PILLOWS
The stripes on my pillow don’t match
where the seams join the two sides.
Shoddy pillow making is like shoddy love making,
forced, painful.
Push and twist,
stuff and shove,
the parts don’t mesh, the don’t fit,
same as shoes that feel too tight with heavy socks on.
It’s no good going on when that happens.
Much better to think of something else,
different and exhilarating.
Riding on a merry-go-round for example.
Horses start out distinct individuals.
Avoid the ones that don’t go up and down, they’re a waste of energy.
The others chase each other as they spin,.
but even though they go faster
they never catch up.
I don’t want to be on the last one
all alone and left behind
as the others gallop off and disappear outside.
The tigers don’t go, they don’t even move.
Maybe they’re dangerous and can’t be trusted,
like some people,
like my lover.
From late afternoon business meetings
he’d come home,
hang up his coat,
talk daily trivia,
eat a quick dinner,
go to bed and turn on his side, his back to me.
I would touch him and his flesh was cold, and stayed cold.
When I outlined my body against him he’d pull away.
No touch or caress could arouse him, so
I would stop and wipe my wet cheeks on the pillowcase.
Staring, without seeing,
I would finally notice that the stripes don’t match.
By Joyce Stein
THE OCTOPUS
is deadly to mollusks,
crustaceans, other
small creatures.
Imprisoned, the animal
reveals its fluidity, slithers
its tentacles, circles them,
pushes their saucer-like disks
to suck against the aquarium glass.
Colors change from tan
to orange to spotted brown
matching the shade of rocks
or a sand mantle. Lurking,
it darts out to poise
its beak, envelop captured
mussels, scallops, snails.
I watch these small deaths,
remote and detached,
safe and dry
outside the glass cell.
By Joyce Stein
ABOUT VEILS
Gauze veils taunt, quiet
the broadcast voice.
Seekers uncover
mutilation, a monster,
numinous Venus
draped and balanced
on her Botticelli shell.
Veils titillate,
as, one by one,
each falls away
and naked Salome
dances to cause
an enemy’s death.
Veils accessorize
obfuscate
cached truths. Veils
must be ripped apart
to let the flame
of disclosure blister
the torn edges,
to let fire balls
ignite and light
the exit route.
Let truth escape
the woven
cover of lies.
By Joyce Stein
THE SUN, THE MOON
I can stare at the sun without
blinking, the smoke is so thick.
I watch it change from pumpkin
to vermilion through a thickening
pall of smoke dragged down
to the sea by Santa Ana winds.
The fire storm sucked up moisture
from trees, vacuumed out the air
from buildings. Everything
collapsed where it passed.
A young girl, wearing gloves,
sifts through ashes, broken
glass, looking for her diary.
A man weeps over lost photos,
the piano that held them a twisted
pile of strings. Neighbors
hold each other, for a while.
At sunset, the desolation
forms black holes ringed with
shooting flames sweeping over ridges.
The rising moon gives little light.
It’s not a hearty harvest moon,
but a sickle of rust, a pale
imitation of the burnt sienna sun.
As the fires die down and the smoke
clears, no one will be able to stare
directly at the sun. The moon
will show a little more of itself
each night as its rusty tinge fades.
By Joyce Stein
AUTUMN IN NEW YOUR
That year, trees clung to their leaves,
refused to release them, wouldn’t let them fall.
The leaves turned,
green to red, to yellow, to brown.
Spotted with dirt
made ragged by insects,
they were held by the stubborn limbs.
Leaves themselves wouldn’t let go,
stuck to the tight mother-glue
of green sap that nourished them,
some reached their potential,
some faced early demise.
All Stubbornly held fast.
Men did not rake or mound
them. No children mashed
them into snapping,
crackling shreds.
That year limbgs and leaves
held onto each other,
in terror of hurtling down,
destruction by fire.
This winter, 2001 buried
in memory, the leaves
will release and drop,
baring the limbs.
By Joyce Stein
RAGS
bring memories of cloth diapers,
worn thin, used to polish glass,
T-shirts, logos faded, armpits
full of holes, turned into dusters.
Flannel shirts, buttons torn off,
were better than white dressy ones
that starch had made too scratchy.
Rags bring history. A drummer marched
beside his flag, his head bound up.
Soldiers, wearing blue or gray, used
tourniquets to stop the flowing blood.
Housebound women braided rags
into rugs for every colonial room.
Living brings me worn out sheets, pillow
cases, stringy towels. I pile them against
a leaking window to hold back cold
rain water, use them to wipe up spills,
clean the floor of dirt or muddy tracks.
After years of use a rag will fall apart,
and I give up a memory, a shred of life.
By Joyce Stein