Location: United Kingdom
Adriana mainly considers her artistic roots as ‘self- taught’ thanks to personal research and her unique approach in the exploration of her creativity. Being a self-taught artist, gives Adriana the freedom and proficiency to express herself and her work has evolved through her own personal experience. She has had group participations in France, Austria and United Kingdom, among them the important show in Cannes, International Modern Art Biennale in May 2017. Adriana’s works are featured in private collections in USA, Canada, United Kingdom and Poland.
Publishing:
23–26 April 2020 - Artexpo NEW YORK - World Wide Art Books - Publishing in "Important World Artist" Book - 4th edition - POSTPONED DUE TO COVID-19 PANDEMIC
4-8 December 2018 - Spectrum / RED DOT MIAMI Art Exhibition - publishing "Love Game Lily" & "No Inhibition Orchid" with World Wide Art Books.
18-21 October 2018 - San Diego Art Show - publishing "I AM YOURS" with World Wide Art Books.
31 May 2018 - Art Productions New York - feature article - HEADLINER
19–22 April 2018 - Artexpo New York - World Wide Art Books - featuring in "International Contemporary Masters XII" (book 12)
31 August 2017 - Contemporary Art Curator Magazine
Exhibitions:
14 February - 16 February 2020 - Parallax Art Fair - Kensington, London, United Kingdom
1 November - 28 February 2018 - MAMAG Modern Art Museum in Castle Hubertendorf, Austria
20 - 22 October 2017 - Contemporary Art Fair in Carrousel du Louvre, PARIS , France
8 June - 10 July 2017 - MAMAG Modern Art Museum in Castle Hubertendorf, Austria
17 May - 19 May 2017 - International Modern ART Cannes Biennial with PAKS Gallery, Cannes, France
September 2016 - January 2017 - Le Dame Art Gallery, London
May 2015 - ‘The Best of Her’ - Private View. Warsaw, Poland
January 2015 - 'Ma Philosophie' - Private View. Warsaw, Poland
December 2014 - 'Ma Philosophie' - Private View. London
In my ‘ONLY WE KNOW’ series I was inspired by Georgia O’Keeffe and like her I love bright, bold and intense greens, reds, purples, yellows, blues and black to paint. I often use flat colour, emphasizing the shape of subject rather than three-dimensional form. I painted flowers much larger than life so that people would take notice and experience them the same way I did, making them appear monumental. - I used flowers as subject matter presenting anatomy of the flower in sharp focus, painted as if looking at them through a magnifying glass.. also expressing hidden ways of portraying personality’s of the leading man in my life at the time.
Spray Paint on Canvas.
Size: 80 H x 80 W x 4 cm
Spray Paint on Canvas.
Size: 80 H x 80 W x 4 cm
Spray Paint on Canvas.
Size: 80 H x 80 W x 4 cm
My work resonates with the feminist belief of the political as well as personal in ‘Free the Nipple’ equality campaign, supporting feminine body equality and empowerment through art to defeat female body oppression and archaic censorship laws. ‘THE BEST OF HER’ triptych collages are about the rite of passage that addresses complexities of being a woman, with the light note and dash of mischief between the lines.
'THE BEST OF HER' is a hexaptych series (part of six), each canvas can stand alone or in conjunction with the other as a diptych or triptych.
Collage: Paper Paint on Canvas
Size: 41 H x 31 W x 3.5 cm
“'SYMPHONIE FANTASTIQUE' BERLIOZ”
Acrylic pen on canvas
Size: 41 H x 31 W x 3.5 cm
Paper Paint on Canvas.
Size: 41 H x 31 W x 3.5 cm
Paper Paint on Canvas
Size: 41 H x 31 W x 3.5 cm
Acrylic pen on canvas
Size: 41 H x 31 W x 3.5 cm
Collage: Paper Paint on Canvas
Size: 41 H x 31 W x 3.5 cm
The female form is often stylized with few recognizable traits: at first sight, the deconstruction of the body reminds us of the eternalized female figures by Modigliani, De Chirico and Man Ray. Nevertheless, in my work the sexual element is sublimated with few strokes enriched by a highly instinctive approach to the complexity of a female psyche that rejects the imposition of rooted and male-dominated morality. By my portrays eroticism as a heroic subject. Immortalising the body in an enigmatic and limbless representation, it leaves the spectator speechless creating and emphasising the woman’s anatomy with vivid transparency.
Acrylic Paint and Spray Paint on Canvas
Size: 60 H x 90 W x 4.5 cm
Acrylic on a A3 paper
Size: 45 H x 33 W x 0.1 cm
Acrylic on a A3 paper
Size: 45 H x 33 W x 0.1 cm
Acrylic on a A3 paper
Size: 45 H x 33 W x 0.1 cm
Acrylic Paint and Spray Paint on Canvas
Size: 80 H x 60 W x 4 cm
Collage: Paint Photo Paper on Canvas
Size: 80 H x 60 W x 5 cm
Acrylic Paint and Spray Paint on Canvas
Size: 80 H x 60 W x 5 cm
It is a mixture of my work representing myself and my feelings.
Acrylic on Canvas
Size: 41 H x 31 W x 3.5 cm
Acrylic on Canvas
Size: 41 H x 31 W x 3.5 cm
Oil on board
Size: 25.5 H x 20 W x 0.2 cm
Acrylic and Spray Paint on Canvas
Size: 80 H x 80 W x 2 cm
Acrylic and Spray Paint on Canvas
Size: 80 H x 80 W x 20 cm
Acrylic and Spray Paint on Canvas
Size: 80 H x 80 W x 2 cm
Collage: paper acrylic drawing spray paint on canvas
Size: 80 H x 80 W x 2 cm
Collage: paper acrylic drawing spray paint on canvas
Collage Size: 80 H x 80 W x 2 cm
“Newtonian Gravity When We Collide”
Acrylic and Spray Paint on Canvas
Size: 70 H x 90 W x 3 cm
Acrylic and Spray Paint on Canvas
Size: 80 H x 80 W x 2 cm
Acrylic and Spray Paint on Canvas
Size: 60 H x 90 W x 4 cm
Acrylic on Canvas
Size: 50 H x 70 W x 4 cm
A series of pencil drawings linked with series of 'The Best of Her' & 'Ma Philosophie' I - The social and political implications are clearly perceived in my work: both the series “Ma Philosophie” and “Turning into you” are based on a personal campaign against female oppression and archaic censorship laws. I convey a feminist voice against gender inequality employing the language of art.
Still lifes to the landscapes drawn from photographs portraying Highlands and Wimbledon Commons.
" Thus, Gotowiecka’s still lifes, depicted with the expressive approach of a mature Van Gogh, are not open to mere sentimentalism and basic communication of emotion: each composition represents an intense connection between the viewer and the artist’s inner soul. For Adriana, painting the reality is not just a passion, it is a necessity. In fact, the energy projected in her still life paintings culminates in later works where Adriana explores and discovers the mysterious dimension of the female form. Delicate and soft lines brought to life through the majesty of her expressive touch, a touch that radiates elegance and sensuality. " - Art Critic: Timothy Warrington
Just like there are two sides to every story, there are to sides to every woman. One that she decides to reveal to the world, the other she keeps hidden inside.. it can also be seen as a friendship or partnership.
“OUR TIME FIG”
“LOVE GAME LILY”
“NO INHIBITION ORCHID”
“ELIXIR”
“MAZE”
“VIVA LA VIDA”
“'EROICA' BEETHOVEN”
“CAUGHT IN HER WEB”
“WISE WOMAN”
“GOLD GALAXY”
“BLUE GALAXY”
“PURPLE GALAXY”
“I AM POLISH”
“'i'”
“YOUR C21 H23 NO5'E”
“CLEANING HER LIFE”
“BRUSH THE GREEN”
“BLUE CHAIR”
“LIFE IS A PEACH”
“FUNKY PLUM”
“GOOD TO BE GREEN”
“CREATURES OF THE NIGHT”
“TRUE MINDS”
“HAPPY I”
“LADY LUCK”
“CAN YOU SEE ME”
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