Location: United States
As a fledgling illustrator in Brooklyn during the 1980’s, I took on any project thrown my way. I refer to that time as my “snack or famine days”. Eventually, I zeroed in on editorial work and soon scored assignments at publications like The New York Times, Los Angeles Times and The Village Voice (primarily covers). Since the early 2000’s, I’ve concentrated on gallery work with an editorial, satirical slant..... essentially larger oil paintings with conceptual content reminiscent of my illustration years. Lampooning politicians, pundits or spiritual leaders who specialize in alternative facts, manufactured outrage, false equivalents, convoluted conspiracy theories and tunnel-visioned tribalism (whew) is my form of protest and provides a satisfying outlet (i.e., it minimizes shouting at the TV, reduces those pesky nightmares & eliminates my quest to prove Jeff Sessions is actually an interloper from The Shire).
My work is the product of my environment over the last three decades. Generally, I've had a positive experience yet tend to be irked by frequent political and religious hypocrisy, general apathy (relating to war, the environment, fact-challenged pundits, etc.) and dogma of any stripe that leads to social and spiritual tunnel vision. These themes are prevalent in many of my paintings although are often explored using satire and humor as opposed to a sledge hammer (granted, I do use that on occasion, too).
Ma Nature Revisited (30.5”h x 22”w framed) - This painting is an update of my 20 year old painting, Ma Nature: This Time It’s Personal. This revisited version examines Mother Nature's reaction to years of environmental neglect and in particular, the probable results of the current Wheeler-led EPA's oversight, or lack thereof. Remnants of Trump donors lie in the rubble.
Blinded by Delight Redux (30”h x 20”w) - This painting warns of the dangers of blind love. Whether it manifests itself via unprotected sex, obsession, infidelity, etc., there is often an unhappy ending.
Being Jare (w/apologies to Chauncey Gardiner) (20”h x 16”w x 1.5"d) - In the classic movie Being There, many of the pundits, talk show hosts and political advisors mistakenly thought the sheltered Chauncey Gardiner (Peter Sellers) was a financial genius based on his gardening tips. This painting addresses the belief of many pundits (think FOX), talk show hosts (Limbaugh, Ingraham, Hannity, etc.), advisors (don't get me started) and Trumpites that Jared Kushner’s limited real estate experience makes Jared qualified to bring peace to the Middle East, solve the opioid crisis, initiate criminal justice reform and tackle a litany of other problems. With respect to expectations versus actual ability, I think Jared Kushner is our present-day Chauncey Gardiner minus the innocence (with apologies to Chauncey, of course).
Trumpcula: Old Habits Die Hard (20"h x 10”w x 1.5”d) - Trump's new look to further enhance his alpha persona channels Bram Stoker's Dracula movie. As usual, The Donald can't totally abandon his classic comb over.
Swamp Shell Game (20”h x 10”w x 1.5”d) - Painting illustrating what Trump is doing to the GOP (depicted by Mitch McConnell) in the ever-expanding swamp.