Location: India
Born in a village of India. Now lives in the City-Noida(india). He is a ‘Fashion and Graphic’ design professional. He is best known for his love for wildlife, admiring beauty of mother earth, helping street children’s and feeding stray animals. Haider’s art work combines the style of surrealism, conceptual, figurative, wildlife, realism and elegiac couplets, not just to mourn on the dead but a satire on the living beings. His Art piece is an eye opener and satire on uneven socio-economy/political behavior, feminism, androgyny, flora/fauna and human-object relations (in short- a Universal muddle). All through his life Haider, have been a creative and artistic person and have gained several awards & recognition by expressing his beliefs and feelings through his ‘Poetic paintings’, sketches, writing elegy’s – bringing them to a real life canvas through his artistic aesthetics. Haider is a keen explorative being, who love to experiment on various medium- Digital paintings, Pen/Pencil sketches, Acrylic, Water color, Tempera paintings, Oil pastels, Crayons to name a few.
Depicts the downfall of the world economy, is explained through the taken inspiration as - "COVID BROTHERS - VOID (EXPLAINED MORE DEEPLY THROUGH THE MEDIUM OF HINDI POEM - SHOONIYA TO MOKSH)". COVID BROTHERS - is a lyrical-poetic art work, created on the "Effects of Covid19''. The artist majorly played with the shades of brown, black and white in the painting, to reflect the sufferings of plague (Pandemic) and downfall of the world economy, through his digital art. On rearranging alphabets of the term 'COVID' and eliminating the alphabet 'C' artist come out with the term 'VOID', which throws light on - the day to day sufferings, faced by the human beings. Not only the social life of the world has been affected but due to plague (Pandemic), it has also affected the interpersonal and mental health of the individual. The terror of the aged time can be seen, clearly, in the anguish eyes of both the human figures, which has turned to savage in the painting. The closed mouth in the first figure and the open mouth in the second figure reveal the untold reality (story) of fear of the human social affairs. The untold and unspoken pain wants to burst out from their fearful faces but the voice gets pent-up in the mouth of both the figures and creates a void in the individual. The beard turns to beset- tangled jungle of one’s unsolved issues at mental, physical and economical level, which presents the entire theme in the painting very magnificent.
(VOID-MOSKH)
Tumhari Seediyon se Utarr ke,
Chale yunh kuch kadam............
Ek halki si ahat per,
Rukke kuch yunh kadam........
Ek taan kahi kisi,
Sitaar ki,
Suhnai si deti hai..........
Peechli panno ki yaadein,
Dikhai si deti hai.............
Palatte panno ko jab,
Roka toh,
Bechaini ka paseena,
Peshaani per behta hai................
Uljhanno ki latto mai,
Ungaliyaan tatol ta sa rehta hai.....................
Sarsarahat si dil mai,
Kafan sa odhta hai.....................
Dil ko tatol te tatol te toh,
Moksh bhi Khota hai................
Arstist/Poet: Haider Ali.
“COVID BROTHERS-VOID (SHOONIYA TO MOKSH)-DOWNFALL OF WORLD ECONOMY.”
ARSIMONY, EXTRAVAGANCE, SWARM, SCOURGE, BESET, OUSTING, CANKER, NEMESIS, CONQUEST, RUIN, ZERO, PLAGUE, VOID, RECESSION.
INDIVIDUALS CHASTITY IN DANGER is a thematic based conceptual painting by artist Haider Ali - It spot light on "Patriarchy Under Hidden Sexuality". Which reflects - inner and outer fight of one’s soul within her/ him, to break the monotony of human bars and wants to fly in its desire blue? In approach, it is more feminine and similar to a caged bird - which makes us more sensitive, fill with cosy emotions and left us in a romantic hallucination with monotonous melancholic feelings. It also talks about the other side of the coin - hidden life of both the gender- that both male and female are living in the ‘dilemma of Androgyny’ (A pliers holding 'Lipstick' in the painting by Male hand, shows confinement of patriarchal Bars which are unbreakable, also reveals the interest of men towards the feminine life, as caged men on right hand side in the painting - gaze very temptingly at lipstick, bird and the women sitting at the bottom). On the other hand it also reflects the pre and ongoing affects of the covid era. In Pre-Covid every individual was fighting for the favor of feminism- to protect the chastity of women empowerment but now in ongoing situation of Covid, every individual gender is trying to protect his/her chastity.
“INDIVIDUALS CHASTITY IN DANGER”
Prosaic, Laggard. Scrutiny, Enclose, Impound, corral, mew, Confined, Assertive, Melancholia, Incarcerate, Andiron, Naiveté, Genital, Demurring, Bestial, Infestation, Seizing, Depredation, Disposal, Imperil, Intriguing, Jeopardy, Queer, Evasive, Shaky, Dilemma, Wayward, Toneless, Ogling, Treadmill, Reluctant, Soporific, Wearisome, Contagion, Sapphic, Ho-hum, Slack, Fear, Humdrum, Coop-Up, Unbreakable, Society, Rigid, despoliation, Void, Hallucination, Slack, Lock-Up, Ravage, Imprison, Pen, Immure, Tedious, Pedestrian.
“DANCING NANDI(BULL)”
