LES FELURES

Before 2001 : I have a way to see the planet and its dimensions where human being use to ask to themselves question in a screaming and fast world of dematerialization and unusual depths; to stay lone less men with a destiny without soul. Acrylic was the real matter she needs to paint urgently and to “Say” with bright colours (blue and red) with thin figures from the fashion world to symbolise here and there human being life.
Since 2001 : I couldn’t accept the horrors of World Trade Center Towers destroyed, and as broken ladies, furious and devastated, they are still haunting her paintings in the serial “Fêlures”

about the "Cracks"

Other "Fêlures", "Petite Fêlure"/"Eclats contrôlés/"Ultime Fêlure"/"Bad Day"

the Triptyque

I use to paint only what, I initially seen; that is to say the simple realisation of an idea, of an inner, utterly finished vision which must find a right expression. Any surprise may only come from a technical contingency as everything is already materialized.
The painting of Triptychs forced itself upon her because of its obvious symbolic.
Beginning Middle End / Before During After /Yesterday Today Tomorrow
Each triptych has its distinct history…And … escape from this, some lonesome canvas

Others...

Self portraits/Reason

The supremacy was to take pictures of my own glance of which I have chosen the lights and the atmospheres. From photos to photos, from questions to questions, Reason asserts itself:
“It is me who paint this picture or take a photo of myself, who creates my picture and displays it as I want in a photo. This is my own will, my own reason…”