Born in San Antonio de los Baños, Cuba, 1980. Fredy Villamil has
become one of the most important representatives of the Cuban plastic
arts today. Painter and cartoonist, self-taught, his art takes us to a unique
world of emotions and memories. His work leads to the robustness of the design, ease of
expression and diversity of colors. At his young age has made 22 solo exhibitions
and 61 collective in Cuba and abroad. His work has been exhibited in Mexico, USA, Turkey,
Costa Rica, Iran, China, Japan, Azerbaijan gaining 24 international awards and 23 national
awards, including the Special Prize awarded by the Union of Writers and Artists of Cuba by all
of his work.
He immigrated to America in 2010, and by the experience of living abroad, his art takes on
another dimension, inspiring a combination of nostalgia and reflection that immerses us in
allegorical metaphors of time and the human condition. His work has not been a day efforts, it
has formed a generation and synthesizes a broad process of learning and creating a perpetual
mobile, is therefore a statement of principles: sharing wisdom deserves and multiply devotion
and gratitude, especially if our works survive the time, death and pain, and fill us with the
substance of light that radiates life.
"Fredy Villamil transports composes atmospheres extracted from anxiety or despair turbulent
drama. His work leads to the robustness of the design, ease of expression and the sobriety of
colors. Just this is enough to express the most varied human feelings. In their forms they sense the
cries and tears of Munch, Paul Klee and Ernest Barlach, pioneers of expressionism, but with a
real personal touch that only takes the outward appearance of things to distort or intensify and
show spirituality and emotional experiences that bring us "
- WWW.villamilartgallery.com
CUBAN FINE ARTIST
Fredy Villamil's dazzling paintings synthesize figuration, abstraction, line, form, and color with
an artistic mastery that belies his youthful hand. Born in San Antonio de los Baños, Cuba, in
1980, as a child Villamil received art lessons from his father, Francis M. Villamil, a painter and
teacher of fine arts in Havana. Formal study followed at the EVA (Cuba’s Vocational School of
Art) and at La Quinta de los Molinos, both in Havana. Since he was a child, Villamil was drawn
to Havana’s House of Culture (Casa de Cultura), where he widened his artistic circle, meeting
and engaging with emerging and established artists, many of whom, including Ruben Suarez
Quidiello, Angel Boligan, Nuez Jose M. Delarr, Heriberto Mora, José Luis Posada, and Eberto
Escobedo are today renowned among collectors, museums, and cultural institutions.
Artistic training aside, Villamil considers himself, at heart, self-taught, and indeed, his work is
born of elements that resist instruction -- intuition, emotional connection, and memory -- the
stuff of personal artistic vision. The last of these influences, memory, is a potent vestige of the
diaspora experience that took the painter on an artistic and personal journey within a span of
many years from Havana to Mexico to Spain, and in 2010 led him to emigrate to the United
States. Along the way Villamil exhibited to acclaim in Mexico, USA, Turkey, Costa Rica, Iran,
India, China, Japan, and Azerbaijan, amassing a trove of international awards and honors that
recognize and acknowledge his original contributions to contemporary visual art.
“Today, July 18 of the year 2019, I was in the Museum of Art of São Paulo Assis
Chateaubriand (MASP), delighted as I was surrounded by amazing artworks from
around the world. My interest in Cuban art drew me to the work of Felix Gonzales
Torres, a painter with exceptional ability. The work featured at MASP was titled “The
End,” where the artist encouraged interaction with the public, in order to orchestrate the
idea that there is an item in a museum that can be touched, taken home, and felt. This is
something that is not eternal, but like life it continues and requires every moment to be
felt to be made a part of a memory. Torres presents this in a series of blank card stock
with a diaphragm in black in geometric forms, and the audience is allowed to obtain a
free sheet for any purpose. My initial reaction immediately after a conversation with the
curator was to express how honored I felt as an artist to be able to use the card-stock to
convey my own work on them; thus, I took the sheet in my hands and Felix’s performance
was charged with another addition as I poured my art onto the page in front of a growing
audience. I was present in the museum and was a part of a live and direct artistic display,
and thought I would do one or two pieces before moving on. The opposite occurred, and
suddenly I found myself immersed in a grand display of art, surrounded by dozens of
spectators. This is an event that is worthy of being documented, as it represented a new
way to experience art. I gifted the sheets to the surrounding audience, and continued to
draw until the crowd got so large that museum security had to diffuse the situation. I am
grateful for this experience in the city of Saõ Paulo and especially MASP, this was an
unforgettable day. The images are immortalized on Felix’s card stock, and I carry with
me about twenty pieces to continue to present the ideas that fill me from this moment on.”
- Fredy Villamil
Gazing into Villamil's paintings is metaphorically akin to tumbling through Lewis Carroll's
literary rabbit hole and finding oneself, magically, within Alice's storied Wonderland. Beneath
light-filled surfaces transformed by scarlet, aqua, emerald green, amethyst, and topaz palettes
fairly crackling with the dynamic merger of fractured lines and colliding shapes, beyond the
vibrant jewel-toned hues and overlapping forms, lies a kaleidoscopic vision overrun by a
proliferation of biomorphic shapes and organic forms that seem to have no beginning and no end,
no up, no down, no top, no bottom.
However, peer intently into a canvas and you will slowly realize that Villamil's dazzling tours de
force of vibrant color and kinetic line, while initially a confounding feast for the eye, optically
resolves into a carefully constructed motif that firmly anchors the artist's dizzying array of tiny
components to deepest space. For Villamil joyously embraces Europe's greatest art historical
traditions of figuration, full length and truncated, frontal and profile, single and conjoined,
alternately composing lovely recumbent nudes, preening women with fans, fashionable damas
(Ladies) adorned with fantastical chapeaux, and mothers tending babes. The artist poignantly
reveals in conversation that he draws inspiration from the women of his own family, and gently
confides that each work is a soulful, perhaps even meditative, reflection on a family member
held dear. Thus is each painting imbued with deeply personal content.
Finally, it must be pointed out that although Villamil left Havana a number of years ago, and
now resides in Miami, the cultural roots of his native homeland profoundly affect his art. Indeed,
Villamil embraces Cuban Vanguardia masters, acknowledging the influence of Cundo
Bermudez, Rene Portocarrero, Amelia Palaez, and Wifredo Lam, among others. Yet individual
stylistic homages do not dominate his work, which remains uniquely imaginative and deeply
inventive. Nor does Villamil deny his deep respect for European Modern masters, like Picasso
and Klee, from whose artistic legacies -- respectively the multiple points of view of Cubism and
the mosaic-like patterns of Surrealism -- he also draws inspiration. Rather, Villamil's visual
idioms are born of a rich artistic vocabulary of his own devise that infuses his work with creative
vigor and stylistic authority, and elevates it to a masterful level of artistic expression.
AWARDS AND EXHIBITIONS
2002-2010
● Honorable Mention. International Event, Festival of International Economics, Trento
(Italy)
● Prize: False Mirror Gallery. XII International Graphic Humor Event Zielona Gora
Poland HONORABLE MENTION 2010
● 2 P.C. Memorial International at Web Cartoon Rath Contest -2010 Bolangir, India
● III Place: Bronze Medal. 3rd "Molla Nasreddin-Azerbaijan 2010" International Cartoon
Contest.
● First Prize in Political Satire IV Magazine "NOSOROG" Graphic Humor 2010 Special
Event in Cartoon International Mention RS EUROPE BOSNIA AND
HERZEGOVINA.
● 1st Award in Cartoon to work without title. XI National Exhibition of humor and satire.
2010 Museum of Humor San Antonio de los Banos / HAVANA, CUBA.
● Mention of the cartoon-YELLOW HOUSE IN VINCENTMENCIÓN political satire.
● The 3rd Price Competition VINCENT IN COFFEE NIGHT (Web Exhibition) of a strip.
● Cartoons, Comics and Short Paracin, SERBIA, IV KIKS Zikison 2009
● Special Recognition in The First International Cartoon Contest: What are your three most
dangerous questions? 2009. First Mexico Award in Painting.
● EVENT "reflection of a city," San Antonio de los Baños, Havana, September 25, 2009
● Honorable Mention. UMO - 5 contest'09 of international graphic humor. India
● First Prize in the category of Humor General. V International Exhibition Limeira
September/2009, Brasil.
● Award in Graphic Humor. National Hall "Coven," July 9, 2009, Ciudad de La Habana.
● XVI International Biennial of Graphic Humor, 2009 MUSEUM OF HUMOR / San
Antonio de los Banos / HAVANA CUBA.
● Joint Award given by the-works UNEAC. Award "Palmares" to work: “Control of the
Ball”
● 2nd place in photography to work: Cross First Prize in fiction and political satire work: S
/ T. I National Exhibition "The Loquito" San Antonio de los Baños, Havana, Cuba,
General Humor septiembre/2008.
● Mention in the work: The Dance Prize in Graphic Humor Exhibition
● Honorable Mention National Coven. Havana, Cuba, Julio/2008.X National Exhibition of
Graphic Humor. San Antonio de los Baños, Havana, Cuba, the weekly abril/2008.
● Prize Palante the Joint Political Humor works General Humor Mention to work: S /
T.XIX National Exhibition of Personal Caricature of John David. Humor Museum ,
San Antonio de los Baños. Havana, Cuba, December/2008.
● Mention of the work: S. Prize Freud. Third illustration work: S / T. Cucalambeana Day.
Havana, February/2006.
● Prize (AHS) in Humor General to work: in memoriam Villamil XV International Biennial
of Humor. San Antonio de los Baños, Havana, Cuba, 2007. Minor in Political
Humor at work: Covenant of the Joint order.
● Mention works Mirta Cerra Room XVII. UNEAC headquarters, Bejucal, Havana, Cuba,
2007.
● Recognition as a cartoonist. International Tourism Fair. Morro-Cabaña Complex.
Havana, Cuba.
● Prize to work: The willow in the Tenth Day canal.2003 Illustrated. Havana, the Joint
Cuba
● Mention works. IX National Hall of Humor and Satire, Humor Museum, San Antonio de
los Baños. Havana, Cuba, Joint Special 2006.
● Mention works: Defense and shouted to the Paz. IV Hall January 28, 2006, Cattle Art
Center, Havana, Cuba
● Award of work: S / T.Jornada of the Tenth Illustrated. Havana, Cuba
● 3rd Award for work: Dad. Award "fifteen" to work: Dad. XVII National Cartoon Loung
Personal Juan David. San Antonio de los Baños, Havana, Cuba, diciembre/2006.
● Prize to work: The Tenth Day of Canal Illustrated. Havana, Cuba, 2004.
● Prize painting to work: S / T. Provincial Exhibition II Instructors. La Burrow, Havana,
Cuba, 2002.
● 1st Award to work: S / Popular Art Fair Quivicán, Havana, Cuba, 2002.
● Recognition Ariguanabense. By Culture Week to be a representative figure of the culture
of the region, for their input and keep alive the historical memory. San Antonio de los
Baños, Havana, performing stenography in the theater of San Antonio de los Baños.
Havana, Cuba
● Recognition CubaCarta Music Festival VI Cine Casino San Antonio de los Baños.
Havana, Cuba
● Recognition of Cuban Cultural Fund subsidiary granted the Havana Province to Fredy
Villamil Presented by works in my Havana VI elegant room.
2011- Present
● 2011 Personal Exhibition at
Steinhausen Gallery
● 2011 Main Street Exhibition-
Ariguanabo
● 2011 Award Cartoon Iran
● 2012 Certificate of Merit 2012 Paint
me Miami art
● 2012 Museum Coral Gables
Collective Show
● 2012 Art Basel Spectrum
● 2013 Keila Mailander's Dream
Exhibition Center of Art
● 2013 Carteles Miami Award
● 2013 Art Basel Spectrum
● 2014 Exhibition Frontal Profiles
Milander Center
● 2014 Art Basel Spectrum
● 2015 Paintings in the Garden of the
Arts Hialeah
● 2015 Art Bassel
● 2016 Expressions Milander Center
● 2016 Black and White Milander
Center
● 2016-2017 Mural in the library JF
Kennedy
● 2017 Personal exhibition Onessimo
fine art
● 2018 Work donated to the Museum
9/11
● 2018 Palm Award Germany Award
● 2018 Art Basel Scope with
Onessimo Fine Art
● 2019 Launch of the art book Fredy
Villamil
● 2019 Exhibition 3rd Biennial of Art
of Barcelona Museum of Modern art.
● 2019 Asian Art Olympic, Tokyo
Metropolitan Art Museum
● 2019 Saō Paulo Felix Gonzales
Torres Card-Stock Artistic
Presentation

Portfolio: