Location: United States
Biography:
“Bend and Not Break,” says Tao Te Ching.
This motto motivates Rod Heiss to paint. In his early years, due to undiagnosed eye problems, he was unable to learn the way most children do. School was difficult and defeating. He was constantly being reminded of his differences and being told “YOU CAN'T DO THIS” or “YOU CAN'T DO THAT.” Rod turned to working with his hands to compensate for the lack of confidence school created.
A new world opened up for him, a world that lacked barriers. Now it seemed that anything was possible. He began a new path of learning how to learn. And this is when his creative instincts began to take root. Years of unstructured training brought a new understanding of how to bring ideas together and see them to completion.
A defining moment occurred one restless evening. He was watching television and saw a documentary on Jackson Pollock. This two-hour program was a revelation to him. An overwhelming desire to paint took hold. Without fear, he attacked canvases like Pollock, using his style as a foundation. Soon, however, Rod found his own vocabulary, and imitation turned to unique creation. He enrolled in the Academy of Art College in San Francisco, where he learned to channel his raw ability. This resulted in years of creativity in painting and sculpture.
Then life got in the way. Painting and sculpture stopped. He started to bend again.
In a particularly dark period of paralyzing fear and self-doubt, Rod turned back to art. He rediscovered his language. He has been creating nonstop ever since. First, he turned to sculpture, but has since returned to painting. The world of “anything is possible” is once again open.
Bend and not break is now what keeps him from sitting still and motivates him to continue the exploration of a world without fear!
"Let paint be paint"
While I was working on a particularly difficult part of a project, a friend stood too close. We kept bumping each other. finally in a moment of frustration, I said: THE BEST WAY IS OUT OF THE WAY." Seeing his face, I quickly apologized. Now this statement has become a running joke. When work is not going well, or is stressful, or if people are just too close and not helpful, I say this line jokingly to whoever is closest.
I repeat this same quote in preparation for painting. The best way is out of the way. This frees my mind and body to plunge in and create. The first step is mixing the colors needed for the piece. I apply the paint, stand back, see when I need to reengage, apply again, then get out of the way. Through experimentation of material and experience, I have tried to "let paint be paint," from texture to blending of colors, to unexpected changes and chemical reaction in the paints. This has produced wonderful results. These paintings that you see are the product of selectively getting out of the way.
"Letting paint be paint" is not just random chances, it is educated and calculated. Knowing when to get out of the way is a skill. A skill I am still learning.
Acrylic on masonite
Size 16"x16"
2013
Acrylic on masonite
Size 47"x47"
2012
Acrylic on masonite
Size 47"x34"
2012
Acrylic on masonite
Size 16"x20"
2013
Acrylic on masonite
Size 45"x72"
2013
Acrylic on masonite
Size 47"x47"
2013
Acrylic on masonite
Size 47"x66"
2013
Acrylic on masonite
Size 47"x32"
2012
Acrylic on masonite
Size 54"x28"
2013
Acrylic on masonite
Size 47"x30"
2013
Acrylic on masonite
Size 32"x47"
2013
Acrylic on masonite
Size 45"x66"
2013
Acrylic on masonite
Size 47"x32"
2013
Acrylic on masonite
Size 47"x94"
2013