Location: Italy
Following a growing artistic evolution, through painting Sandro Frinolli Puzzilli reinvigorates his propensity to make art with creative energy, which began with photography and continued in digital art before finally flowing into painting.
In his latest artistic projects "Blue" and "Tonalismi" he tells subjective visual emotions through color, places shapes by defining them or just hinting at them, develops a cognitive reorganization aimed at the objective purpose of contemplating the vision of the surrounding at best. Linguistic and expressive research and the artist's persuasive narrative needs lead to a world where nature is only a cue, the starting point for expressing something else, his paintings become the synthesis of a reflection, the discussion of a point of sight, the representation of a visualization of a segment of the investigated reality. Dreamy scenes evoke, bordering on lyrical abstraction, poetic compositions with characters that move lightly, out of time and history.
Sandro Frinolli Puzzilli during his artistic career has received various awards and prizes, his works have been exhibited abroad in Paris at the Louvre Museum, in London, Moscow, Abu Dhabi, Dubai, Barcelona, Madrid, Stockholm, Principality of Monaco, Brussels, Strasbourg, Ithaca and in Italy in Rome, Milan, Venice, Florence, Turin, Bologna, Genoa, Palermo, Sanremo, Modena, Padua, Udine, Vicenza, Amalfi, Pavia, Ascoli Piceno, Cremona, Latina, Pordenone , Tivoli, Gubbio.
Contacts
Website: www.sandrofrinolli.com
E-Mail: sandrofrinolli@alice.it
Phone: +39 338 14 38 166
Following a growing artistic evolution through painting, he reinvigorates his propensity to make art with creative energy. In the pictorial project he tells through subjective visual emotions, he places shapes defining them or just hinting at them, he develops a cognitive reorganization aimed at the objective purpose of contemplating the vision of the surrounding in the best possible way. The linguistic and expressive research and the persuasive narrative needs of the artist lead to a world where nature is only a starting point, the starting point for expressing more, his paintings become the synthesis of a reflection, the discussion of a point of view, the representation of a visualization of a segment of the real investigated. Dreamy scenes, bordering on lyrical abstraction, evoke poetic compositions with characters that move lightly, out of time and out of history.
“Lovers in the rain”
“White fairy tale”
“Autumn lights”
