Hdc

HDC

Location: France

My job as doctor has rarely given me the chance to just let my creativity flow. Nevertheless, in aesthetic medicine, when I re-model a face, the technical gesture resembles that of a sculptor except that I’m working on a «living being».

In 2011, after open heart surgery, I needed a long convalescence during which time I had the pleasure of cooking lovingly my DEEP SAUCE.

My raw materials: either one of my photographs, or one of my collages. I chose them either for their graphic design, or for the message or ideas that they conveyed.

Then I began my " D E E P   S A U C E ".
DEEP like Dissection Elongation Elaboration Painting.
The first step (Dissection) is an allusion to my profession.

I dissect a photo, the I lenghten certain intersting forms. After that I put together the final framework before passing to the next step of adding the colours.

Why do I use a digital back up?

Professionally, I have the opportunity of working on a noble material: the skin. I wanted to try out working on something immaterial, whithout using paint or other materials.

As I always loved photography, the photo retouch just flowed naturally. I often exagerate this technique so that the outlines of a painting (a painted image) take on another aspect.

Nevertheless, the pixelization of the images, purposely exagerated, easily allows one to distinguish the painting from the digital image.

This results in a highly contrasted work. If you really need to put them into an artistic movement you could trace a path between narrative figuration, nouveau realism and conceptual art.

As it happens, it seems interesting to me not to remain trapped in certitudes or certain frameworks but on the contrary to doubt constantly, to emigrate constantly towards the unknown, to express what we are deep inside: fragile beings who with passion dream, hope, dispair, cry, fantasize, rave and admire.
  
A melting pot, complex but rich is what I try to convey in my work. DEEP SAUCE can express the dream-like fantasies of a child just as well as a crepuscular polar atmosphere, amongst other explosions of varied sentiments.

Let the initial atmosphere of my setting flow through, then let your creative thought take over so that you can imagine what you truly want to see and feel.


Portfolio:

Who are we?

Ha Ha Ha “Ha Ha Ha”

Fine Art print, mounted on Dibond (75 cm x 150 cm)

Effervescent man “Effervescent man”

Fine Art print, mounted on Dibond (100 cm x 150 cm)

Live free. Die happy. “Live free. Die happy.”

Fine Art print, mounted on Dibond (120 cm x 80 cm)

Hemisphere “Hemisphere”

Fine Art print, mounted on Dibond (100 cm x 150 cm)

Somebody to know “Somebody to know”

Fine Art print, mounted on Dibond (60 cm x 90 cm)

The forbidden city “The forbidden city”

Fine Art print, mounted on Dibond (45 cm x 80 cm)

Tetra DNA “Tetra DNA”

Fine Art print, mounted on Dibond (90 cm x 160 cm)

Where are we headed?

The green little book “The green little book”

Fine Art print, mounted on Dibond (90 cm x 160 cm)

A hunter's office “A hunter's office”

Fine Art print, mounted on Dibond (60 cm x 120 cm)

Highway to hell “Highway to hell”

Fine Art print, mounted on Dibond (80 cm x 120 cm)

Don't walk on zebras “Don't walk on zebras”

Fine Art print, mounted on Dibond (60 cm x 90 cm)

Lunar eruption “Lunar eruption”

Fine Art print, mounted on Dibond (80 cm x 120 cm)

Boite à Meuhhh “Boite à Meuhhh”

Fine Art print, mounted on Dibond (100 cm x 150 cm)

The dot on the iiii “The dot on the iiii”

Fine Art print, mounted on Dibond (50 cm x 100 cm)

Tram “Tram”

Fine Art print, mounted on Dibond (80 cm x 120 cm)