Location: Switzerland
Born in Zurich, Switzerland, 1965
Educated in painting by Paul Eichenberger (1976 – 1978)
Self-taught continuing education
Independent artist since 1989
2020 - 22
In progress: Concept and execution of an empirical experiment on the abilities of aesthetical judgement.
Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany.
Palmer Sculpture Biennial.
Palmer, Australia
2019
TURNERLine, framework exhibition of the Turner-exhibtion in the
Art Museum of Lucerne - with Lukas Hirschi, Christoph Rütimann, Andreas Weber and
Anna-Sabina Zürrer.
Kunstraum Hochdorf, Hochdorf, Switzerland.
2018
Palmer Sculpture Biennial.
Palmer, Australia.
Moderation “Musealia"-presentation.
NIVAL, Dublin, Ireland.
Fundus-event, some reflections on Turner's Interior of a great house.
Tate Britain, London, UK.
2017
Moderation “Musealia“-presentation, Tate Exchange (with Spike Island).
Tate Modern, London, UK.
DRAWING Part 3. Lokal 14.
Zurich, Switzerland.
2016
“Musealia“-Workshop. EVA Conference.
British Computer Societiy, London, UK.
Retrospective, 25 years of art by TITUS.
Former heating plant of the Sulzer Company, Winterthur,
Switzerland.
Moderation “Musealia“-presentation.
Ex Birrificio Metzger -Centro di Cultura Contemporaneo, Torino, Italy.
2015
Moderation “Musealia“-presentation, an art archiving and
presentation project:
Drawing Room, London, UK.
Edsvik Konsthall, Sollentuna (Stockholm), Sweden.
Ca’ Zanardi, Venice, Italy.
2014
“fadepad“-event. With Hansruedi Zeder.
Drawing Room, London, UK.
“Turning down the volume“. With Hansruedi Zeder and Ulrich Suter.
University of York, York, UK.
“fadepad“: Digital project of the month in “Kunstbulletin“.
2013/14
Concept and realisation of the dynamic drawing-app “fadepad“
(www.fadepad.com).
2011
“Lake Valley Poetry Summer“. Comparison of drawings of mine
with a work of Virgilio Guidi. With Carlo Mettauer and Ulrich Suter.
Beinwil am See, Switzerland.
2008
As part of the culture festival “48h Neukolln“.
Kulturgucker, Berlin, Germany.
2006
Improvisation on sound and dynamic drawing with overhead-
projector. With Peter Baumgartner.
Nordportal, Baden, Switzerland.
2005
Panel discussion about the interaction of arts and science. With
Cynthia Gavranic and Sabine Fassl.
Nordportal, Baden, Switzerland.
2004
“Alice – What has art got to do with science?“ A comparison of
scientifically and intuitively set pictures. With chemist Antoine
Logean.
USE-GO-ART, Olten, Switzerland.
2003
Installation “Tram Sphere“. With Peter Baumgartner and Michael
Omlin.
Tram-deposit Burgwies (Tram Museum Zurich),
Zurich, Switzerland.
2000
Emerging Artists. Exhibit A Gallery (Greg Smith).
New York, USA.
1996
Home exhibition.
Beinwil am See, Switzerland.
1995
With Sergey Tenenbaoum and friends.
Art Hall of UNESCO, Maly Grusinsky, Moscow, Russia.
Performance “There is nothing new underneath the sun“.
Eisenwerk Frauenfeld, Frauenfeld, Switzerland.
Underground exhibition.
Former water-reservoir Schlossli, Zurich, Switzerland.
Annual exhibition.
State art museum Aargauer Kunsthaus, Aarau, Switzerland.
Concept and initiation auction in favour of Amnesty International
With Andreas Gursky, Thomas Schütte, Marlene Dumas, Raymond
Pettibon, Luc Tymans and many others.
Sotheby's Zurich, Switzerland
1994
With Sergey Tenenbaoum and friends.
Belijajewo Gallery, Moscow, Russia.
1991
Annual exhibition.
State art museum, Aargauer Kunsthaus, Aarau, Switzerland.
Drawings oil on crayon, size A3.
These drawings are based on the motion of the lines. The setting of the lines suggests space and object like entities. Yet, it is not possible to decode any concrete form. What does this do to the way you perceive them, the way you feel when watching them? How does your mind “construct“ reality?