Location: Israel
1947 - Born in Jerusalem, Israel.
1968 - 1970 Study at Avni Studio, Tel-Aviv, Israel.
1970 - 1975 Study at Rietveld Academy, Amsterdam, The Netherlands.
1987 - Painting award, Roeselaar, Belgium.
1998 - Painting award, trienale of Amstelveen, The Netherlands.
2011 - 2 x first award in Biennale Chianciano, Italy
1992 - Working at the garden of Monet in Giverny, France.
1994 – Working three month at the “yellow House” in the Provance, France (belongs to
Kroller Muller Museum)
1970 – 2005 living in the Netherlands
2005 - living in Israel
SELECTION OF SOLO-EXHIBITIONS
1977 Art hall of Wasa, Finland
1978 Gallery Gammelstrand, Copenhagen, Denmark
1984 Boterhal, Hoorn, Holland
Gallery Mokum, Amsterdam, Holland
1985 Van Putten, zwanenburg, Holland
1988 Cultuurhistorisch Museum, Valkenswaard, Holland
1993 Gallery Extreme, Wildervank, Holland
1994 I. Gallery Linka, Amsterdam, Holland
1995 City Gallery, Copenhagen, Denmark
2000 City hall Berlin, Germany
2002 Amstelle, Amstelveen, Holland
2007 Shorashim Gallery, Tel-Aviv, Israel
2008 Gallery Alternativ, Paris, France
2009 Hanita Museum, Israel
2010 Artists House, Tel Aviv, Israel
2011 Migdal Hamyim, Naharia, Israel
SELECTION OF GROUP-EXHIBITIONS
1975 Museum Fodor, Amsterdam, Holland
1976 Rijksmuseum Vincent Van Gogh, Amsterdam, Holland
Museum Fodor, Amsterdam, Holland
1977 De Beyerd, Breda, Holland
1980 Job-art Museumboerderij, Schellinkhout, Holland
1981 I. Gallery Linka, Amsterdam, Holland
1982 De Boterhal, Hoorn, Holland
1983 De Boterhal, Hoorn, Holland
1984 Frans Hals Museum-De Vleeshal, Haarlem, Holland
1994 Koninklijke Bibliotheek, Den-Haag, Holland
1996 Amstelle, Amstelveen, Holland
1997 CoBrA Museum, Amstelveen, Holland
1998 Amstelle, Amstelveen, Holland
1999 Amstelle, Amstelveen, Holland
2000 CoBrA Museum, Amstelveen, Holland
2002 Amstelle, Amstelveen, Holland
2003 CoBrA Museum, Amstelveen, Holland
2004 Amstelle, Amstelveen, Holland
2007 Hanita Museum, Hanita, Israel
2008 Horace Richter Gallery, Old Jaffa, Israel
2009 Biennale Chiancinano, Italy
Estense Castle, Ferrara, Italy
2010 Galleria De’ Marchi, Bologna, Italy
Chelsey Gallery, London, England
Estense Castle, Ferrara, Italy
2011 Biennale Izmir, Turkey
2011 Biennale Chianciano, Italy
2012 Gagliardi Gallery, London, England
water and fire drawing on pigmented paper.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
Fire and water drawing is a new way of drawing, I use a (own made pigmented) paper, and draw with water on it, creating a relief with the use of the brush. The brush and the water create paper waves and a soft relief is formed, "sculpture" is born of a mutual collaboration between human handwriting and that of nature.
Using fire flames to continue the composition.
Bringing together fire and water, the constructed and the destroyed, the real and the unreal.
“sunny day 1”
“bird 2”
“movement 1”
“day 1”
“day 2”
“night 1”
“night 2”
“view 1”
“view 3”
“view 10”
“view 11”
“galim7”
