Location: United States
Carolyn Sharon Goodridge, born on October 21, 1960, in Port of Spain, Trinidad, West Indies, immigrated to the U.S. in 1963. During the next 10 years, Carolyn was introduced to a heavily spiritual way of life through Beryl Odell, her grandmother’s who was a pastor a Pentecostal Church Brooklyn, New York. A great deal of importance was given to the power of healing through inner power and religious focus. Carolyn developed an interest in the fine arts at the age of 10, first writing short stories, plays and poems and then expressing herself through songs for the piano and guitar and later focusing on drawing and painting.
After the death of her grandmother in 1976, Carolyn’s religious direction shifted away from Western theologies. She developed skill in Yoga under the guidance of her teacher Ma Prem at the Carnegie Hall Yoga Studio; became widely read in the Eastern religious philosophies of India, and landed in the Korean Zen Buddhist tradition. At age 19, she left home to live in a Chogye International Zen Center in Chelsea Manhattan, and studied Zen meditation with the late Zen Master Seung Sahn, founder of the Kwan Um School of Zen.
Carolyn’s formal art education began in 1986 at the Fashion Institute of Technology in New York as a night student in textile design. At FIT she discovered her inexhaustible love of painting. In 1984-5 Goodridge took a 4-month journey through Germany, Sri Lanka and India in order to heal from divorce. In 1990 she left New York to pursue full time matriculation at the University of Florida in Gainesville with her two-year old twin daughters. She spent the next seven years living as an on campus art student, extensively exhibiting her work on campus and in neighboring towns. Carolyn her Bachelor’s of Fine Art in Painting from the University of Florida in 1993, and a Master’s in Fine Arts from the University of North Carolina, Chapel Hill in 1997.
The abstract paintings produced by Goodridge reflect her artistic progression from realism to abstraction. An avid student of art history, Goodridge was inspired by the mystical works of color field artists Mark Tobey, Mark Rothko and Clyfford Still, the whimsical master colorist Hans Hofmann, the musically oriented, German Expressionist Vassily Kandinsky, the exploratory work on dreams and the collective unconscious by Paul Kleé, and genius of musician John Cage. Studying their works had a liberating impact on Goodridge. She began to realize a freedom and reconnection with her love of color and music, legacies of her West Indian culture. The imagery also reflects her background in Zen meditation where spontaneity is key to understanding oneself.
Goodridge brings a rich integration of spiritual philosophy, with modern science and ancient psychology to the artwork. The titles of the paintings are constructed from personal interpretations of classic texts such as the I Ching, the Tao Te Ching, the Upanishads and essays on quantum mechanics. The imagery is intended to stimulate the intuitive and emotional sensitivities.
You can contact Carolyn through her website at www.abstractpaintings.com.
Each painting in Carolyn Goodridge’s newest body of encaustic work offers a unique experience, parallel to the experience undergone as the artist creates the work. Goodridge intends for the viewer to experience an initial moment of “no thought” just a feeling of immediacy, recognizing the timeless “now” of the present moment. She anticipates the viewer’s inclination to respond inquisitively to planetary abstract art and intuitively draw associations to color and simply elegant circle combinations.
The paintings in: Om, The Cosmology of Now are each associated with the ancient meditative sound of Aum and an inner vision of the cosmos. Goodridge offers an abstract planetary account of the activity in our universe. These references can be macrocosmic or microcosmic. Patanjali--who wrote the Yoga Sutra and is considered to be the father of classical yoga--taught that when we chant this sacred syllable Aum and simultaneously contemplate the meaning of it, our consciousness becomes "one-pointed: and prepared for meditation.
In all cases the paintings are created spontaneously within the confines of the circle, which can also be seen as a mandala. According to Dr. Michio Kaku, physicist, our world is made up of vibrating strings. He says that the Mind of God is music resonating in eleven dimensions throughout hyperspace! In “Carina’s Fire Song”, a painting inspired by the NASA’s Hubble super telescope image of Carina Nebula, two objects meet in a firey burst of hot pink, yellow ochre, rose madder and white. This exhibition has twenty encaustic paintings. Encaustic is an ancient medium dating back past 800 B.C. Pigmented beeswax was used by Greeks and Eyptians to waterproof and decorate their war ships and mummy masks.
Encaustic on panel, 14"h x 20"w, 2012
Encaustic on panel, 20"h x 16"w, 2012
Encaustic on panel, 16"h x 36"w, 2012
Encaustic on panel, 24"h x 36"w, 2012
Encaustic on panel, 12"h x 36"w, 2012
Encaustic on panel, 40"h x 30"w, 2012
Encaustic on glass, 12"h x 8"w, 2012
Encaustic on panel, 28"h x 34"w, 2012
Encaustic on panel, 16"h x 34"w, 2012
Encaustic on panel, Triptych 34"h x 29"w, 2012
Encaustic on panel, 26"h x 34"w, 2012
Encaustic on panel, 40"h x 16"w, 2012
Encaustic on panel, 20"h x 40"w, 2012
Encaustic on panel, 14"h x 40"w, 2012
Encaustic on panel, 40"h x 15"w, 2012
Encaustic on panel, 21"h x 32"w, 2012
Encaustic on panel, 36"h x 20"w, 2012
Encaustic on panel, 40"h x 15"w, 2012
Encaustic on panel, 34"h x 20"w, 2012
Encaustic on panel, 36"h x 20"w, 2012
Encaustic on panel, 28"h x 34"w, 2012
Encaustic on panel, 26"h x 34"w, 2012
Encaustic on panel, 32"h x 25"w, 2012
“Within the Planetary Nebulae”
Encaustic on panel, 25"h x 32"w, 2012