Location: Spain
The hyperrealistic silicone sculpture manages to transmit emotion and multiple sensations to the people who contemplate it, with very positive results at the sensory level.
His work is clearly influenced by genre cinema in its beginnings, later evolving towards a more vindictive and social style, always without losing the common thread of his works: the obsession with creating fiction that the mind processes as reality.
Cristina Jobs uses hyperrealistic sculpture as a cultural vehicle that allows transformation, generating citizen awareness. Through his sculptures, the human being contemplates and admires the world, himself and others.
It provides the viewer, a visual experience that favors the expression and communication of what he perceives, feels and thinks, trying to get with art where conventional social and political approaches do not arrive
Art has been his passion since he was a baby, even though he didn't start taking it seriously until 2004 when he entered the school of artistic makeup. He was trained in realistic sculpture and sculpture of characters.
Begins his artistic career in 2006, under his real name, Cristina Iglesias, as a special effects technique for cinema. He worked as a technician in several national and international character creation companies.
In 2015 it created the Babyclon ® brand, positioning itself as the leading brand worldwide in the creation of baby silicone sculptures for collecting, still today being the pioneer brand in innovation of techniques and materials in this sector.
Recently, Cristina Iglesias changed her stage name to Cristina Jobs, thus beginning a harsh phase of anonymity and effort to get the link of her artistic name and her works signed under her real name
Currently he is fully dedicated to the hyperrealist art sector, leaving his profession in the background within the cinema.
He signs under his artistic name his first collection of hyper-realistic sculptures for the public space this year 2020, in the province of Tarragona
After years of research, his work "Clay Women" has been the first hyperrealistic, non-ephemeral, outdoor sculpture in the world, making Cristina Jobs a pioneer artist in creating this new record.
Hyperrealistic silicone sculpture manages to transmit emotion and multiple sensations to the people who contemplate it, with very positive results at the sensory level.
I use hyperrealistic sculpture as a cultural vehicle that allows transformation, generating citizen awareness. Through my sculptures, the human being contemplates and admires the world, himself and others. It provides the viewer with a visual experience that favors the expression and communication of what he perceives, feels and thinks, trying to reach with art where conventional social and political approaches do not reach.
