Location: Cuba
Graduate from the “Oscar Fernández Morera” Fine Arts Professional Academy in Trinidad, Sancti Spiritus, 1998.
He has participated in several Fine Arts exhibitions in Cuba and other countries.
His paintings are part of private collections in US, France, Belgic, Denmark, Germany and Honduras, so as in different institutions in Cuba.
MAIN EXHIBITIONS:
-Art Fair Málaga ´17. Málaga, Spain, 2017.
-Small Size Art Exhibition, UNEAC Sancti Spíritus, Cuba, 2017.
-Collective Exhibition Espacio Interior. International Art Festival. Trinidad, Cuba, 2015.
-V International Event Visuarte, UNEAC, Cienfuegos, Cuba, 2015.
-Collateral Exhibition Espacio 217, Fine Art Biennial, Trinidad, Cuba, 2015.
-Collective Exhibition Artistas Plásticos Espirituanos. Collage Habana Gallery, Havana, Cuba 2009.
-Collective Exhibition Canchánchara. Spring Festival. Berlin, Germany, 2011.
-Dual Exhibition InventarioConsonantes. Casa Gaia. Havana, Cuba, 2004.
-XXII Art Salon Oscar Fernández Morera: BFI project (Buscando fórmulas ideales). Public Intervention, Sancti Spíritus, Cuba, 2004.
-Solo Exhibition Working. Benito Ortiz Gallery. Trinidad, Cuba, 2004.
-Solo Exhibition Consonantes. Oscar Fernández Morera Gallery. Sancti Spíritus, Cuba, 2004.
-Territorial Exhibition Primavera del Arte. Fine Arts Salon. Sancti Spiritus, Cuba, 2004.
-Contest PMA en acción (FAO). Casa Benito Juárez. Havana, Cuba, 2002.
-I International Event Visuarte. UNEAC, Cienfuegos, Cuba, 2001.
-XVIII Fine Arts Salon Oscar Fernández Morera. Sancti Spiritus, 2000.
-II Fine Arts Biennial in the Mountains. Cienfuegos, Cuba, 1999.
-VIII Graduates´ Fine Arts Exhibition. Trinidad, Cuba, 1998.
MAIN AWARDS:
-UNEAC Award. XVIII Fine Arts Salon Oscar Fernández Morera. Sancti Spiritus, 2000.
-Jury Panel Award. II Fine Arts Biennial in the Mountains. Cienfuegos, Cuba, 1999
The start point in my work is the human language and its manifestations in diverse historical contexts. Since the first phonetic values, their interpretations and graphic expressions, came to existence, a wide diversity of styles and shapes on several materials have set the trail of human communication by which knowledge, culture and idiosyncrasy of different peoples have been passed on. The expression of ideas, principles, values, life style and spirituality, have been and will always be inherent to the existence of mankind. So, it is in writing where a common genesis can be more precisely perceived, regardless of the great ethnologic differences among men. The use of ideograms, alphabets, abjads, syllabarys, alphasyllabaries and other symbols in the common space of my work, invites to the consideration on the possible conceptual, sonority and expression similarities, in the quest for an original language that conceptually connects us all as individuals. It´s an exercise on the form of the language and on the language per se; an analysis of our ancestral connection and the manifestations of such bond in my very own social reality. I am an heir of each historic branch of writing; of the graphic idea of each sound (a work of art itself), its uses and concepts. I am, therefore, a debtor: a voice that, from the everyday chores, invites not to a passive contemplation, but to the persistence in looking, in this path of regresses, for an indication that lead us into the future; for a purpose.
The start point in my work is the human language and its manifestations in diverse historical contexts. Since the first phonetic values, their interpretations and graphic expressions, came to existence, a wide diversity of styles and shapes on several materials have set the trail of human communication by which knowledge, culture and idiosyncrasy of different peoples have been passed on. The expression of ideas, principles, values, life style and spirituality, have been and will always be inherent to the existence of mankind. So, it is in writing where a common genesis can be more precisely perceived, regardless of the great ethnologic differences among men. The use of ideograms, alphabets, abjads, syllabarys, alphasyllabaries and other symbols in the common space of my work, invites to the consideration on the possible conceptual, sonority and expression similarities, in the quest for an original language that conceptually connects us all as individuals. It´s an exercise on the form of the language and on the language per se; an analysis of our ancestral connection and the manifestations of such bond in my very own social reality. I am an heir of each historic branch of writing; of the graphic idea of each sound (a work of art itself), its uses and concepts. I am, therefore, a debtor: a voice that, from the everyday chores, invites not to a passive contemplation, but to the persistence in looking, in this path of regresses, for an indication that lead us into the future; for a purpose.
“sentence ”
“metonymy”
“interjection”
“articulation”
“lexeme”
“syntax”
“grammar”
“blow II”
