Kristin Maija Peterson

Kristin Maija Peterson

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ARTIST STATEMENT


I’m Kristin Maija Peterson, a visual artist who connects people with the everyday, ordinary, and extraordinary facets of the natural world through art, observation, science, and story.

I blend art and story with self-directed science and environmental research to bridge an understanding of our current and historical relationship with the natural world. Work for series and exhibitions begins with curiosity and an ongoing search for awe and biodiversity in my immediate environment.

A through-line of my practice involves memories of growing up in rural west-central Minnesota, surrounded by the natural beauty of moraine glacier hills, expansive prairie, rivers, lakes, and woodlands. Born in the early 1960s, even then, my young self sensed the Earth was in trouble, and my childhood world would not last.

I work through detailed, layered watercolors and large graphite drawings to elevate the beauty and biodiversity found in uncultivated ecosystems with a call to save all that we can without judgment or remonstration. Ironically, we need nature to heal from our overly technological existence that is killing our true nature. 

My work emphasizes what it means to be present in nature, closely witnessing what is right in front of me. It’s an invitation to cultivate curiosity, observe how the natural world reveals to us, and rekindle a bond to our environment and ourselves. In saving all that we can here on Earth, love has to be a part of the equation. When we feel familiarity and connection, love inevitability follows. And what we love, we are driven to protect.

ARTIST BIO

Like many artists who came before and who will come after her, Kristin started making art at a very young age creating small picture books bound by staples and dictated to her parents the words of her made-up stories on colorfully drawn pages.

Kristin continued to practice art throughout her formative education, graduating with honors (1984) from the University of Minnesota (Morris) with a B.A. in Studio Art, Art History, and Biology. After graduating with no formal education in the business of art, Kristin moved to Minneapolis to pursue commercial art, attending classes at the Minneapolis College of Art and Design. Kristin has held creative positions in book publishing and various marketing agencies.

Having built up many skill sets, Kristin opened her design business in 1996 (Grand Ciel Design Co.) to specialize in branding and marketing for non-profits. She practiced art in the margins whenever possible. In 2019, Kristin attended The Women’s Art Institute (St. Catherine’s University, St. Paul, MN) expanding her knowledge of women’s art and finding direction on environmentalism for her current series work.

The pandemic and a milestone birthday were a transition. Kristin closed her business to pursue her work as a visual artist full-time. Since 2020, she has exhibited extensively as an emerging artist in the mid-west region in juried group shows and solo exhibitions. Kristin practices art and writing through Terra Kind Studio Co. and is committed to donating 10% of her annual art sales to environmental non-profits.



SOLO EXHIBITIONS


2023 I Children of Nature: Find Your Wonderland Solo Exhibit, Reedy Gallery, 
Minnesota Landscape Arboretum, Chaska, MN.

2022 I Children of Nature: Find Your Wonderland Solo Exhibit, Owatonna Arts Center, Owatonna, MN.



JURIED EXHIBITIONS

2024 I Into the Madlands Gamut Gallery, Minneapolis.

2024 I What Fierce Looks Like Artists of the Women’s Art Institute, FORM+CONTENT Gallery, Minneapolis.

2024 I 23rd Annual Poet-Artist Collaboration Exhibit I Red Wing Arts, Red Wing, MN

2022 I 27th Annual Extremely Minnesota Exhibit I Robbins Gallery, 
Robbinsdale, MN, November-December.

2022 I Ever-Present: Birds in Our Daily Lives I Jurier Mike Curran. Silverwood Park Gallery, St. Anthony, MN.

2022 I Minnesota State Fair Annual Fine Arts Exhibit I Minnesota State Fair, St. Paul, MN

2022 I Mississippi River Stories I Mississippi Watershed District Management Organization, Minneapolis

2021 I Many Waters I A Minnesota Biannual Juried Exhibit, Minnesota Museum of American Art, 
St. Paul, MN July-October.

2021 I 20th Annual Poet-Artist Collaboration Exhibit I Red Wing Arts, Red Wing, MN

2020 I Voices of the Midwest I Fine Line Creative Arts Center, Kavanagh Gallery, St. Charles, IL

2020 I In Your Element I The Natural Heritage Project. Hudson Hospital & Clinic Artist Gallery, Hudson, WI

2019 I The Nature of Disappearance I Silverwood Park Gallery Hudson Hospital & Clinic Artist Gallery, Hudson, WI

2019 I Work from The Women’s Art Institute I Catherine G. Murphy Gallery, University of St. Catherine, St. Paul, MN


2018 I Emerging Artists’ Exhibition I Lanesboro Arts, Lanesboro, MN


GROUP EXHIBITIONS

2023 I Concerning Plants I ArtReach St. Croix, Stillwater, MN

2022 I Members’ Show I ArtReach St. Croix, Stillwater, MN

2020 I FOOT IN THE DOOR 5 I Minneapolis Institute of Arts, Minneapolis, MN

2018 I THE GREAT OUTDOORS: Art Inspired by Wild Minnesota I ArtWorks Eagan, Eagan, MN

2016 I Art of the Garden I Minnetonka Center for the Arts. Minnetonka, MN

AWARDS

2022 I Best in Show I 27th Annual Extremely Minnesota Juried Exhibit,
Robbins Gallery, 
Robbinsdale, MN, November-December

2019 I Scholarship I  The Women’s Art Institute, St. Catherine University


PUBLICATIONS

2024 I 23rd Annual Poet Artist Collaboration Exhibition Clapbook. Artwork The Field Guide to the Birder’s Great Prairie Adventure ink drawings inspired by the poem The Eyes of Morning by Elizabeth Weir.

2020 I Graphite drawing Basket and written eyewitness story featured in Eyewitness: Minnesota Reflections on Climate Change published by Climate Generation: A Will Steger Legacy in celebration of
the 50th anniversary of Earth Day, April 22, 2020.

2021 I 20th Annual Poet Artist Collaboration Exhibition Clapbook. Artwork I Rode The Breeze As Children Will and Took Root Someplace Else a watercolor inspired by the poem, Planted by Deborah A. Goschy.

2022 I World Wide Magazine of Art I River Divination No. 1 appears on the Frontispiece of its 9th issue.

CONTACT


Studio: 651-318-7100

Email:
kristin@terrakindstudio.com


Terra Kind Studio Co.
Shop Original Artworks & Prints


Portfolio:

Select Works

A collection of watercolor paintings created from 2020-2024. Each piece explores nature in the overlooked wild spaces that I consider beautiful in their own way and worthy of our attention.

CRADLING “CRADLING”

Named not because of all the soft baby pinks, blues, and violets but as a reminder to leave your leaves. Let them cradle and protect hibernating insects, like bumblebee queens, the woolly bear caterpillars, as well as insect eggs and chrysalises, and other overwintering animals ~ the snails, worms, beetles, millipedes, mites, spiders that in turn are food for chipmunks, turtles, birds, and amphibians. 



A pile of leaf litter can go a long way to support biodiversity and keep the natural order of living things, including us. Take a closer look. You might just find leaf litter as beautiful as I do. So much movement in the stillness. 



This piece may be the beginning of a new series called Equinox (working title and a word I love). Both the spring and autumn equinoxes create a balanced day and night but for me, the equinoxes create an internal upheaval that affects me physically, physiologically, and spiritually making me feel off-balanced.


NOTE: This piece is available for purchase. Currently unframed.

WE WILL KNOW WHEN WE GET THERE “WE WILL KNOW WHEN WE GET THERE”

Part of the River Divination series that evolved from personal experience and in preparation for the Mississippi River Stories exhibit at the Mississippi River Watershed Management Organization in partnership with St. Thomas University and the Natural Heritage Project in 2022.

When I witnessed the river on a warm October day, I had the shores to myself. There wasn’t a trace of human activity except for the wet paw print left by a passing dog. The arrangments of organic objects become the divination “we will know when we get there.”

NOTE: Framed size: 28 x 28 inches. Available for Sale.

RIVER DIVINATION “RIVER DIVINATION”

The first of the River Divination series that evolved from personal experience and in preparation for the Mississippi River Stories exhibit at the Mississippi River Watershed Management Organization in partnership with St. Thomas University and the Natural Heritage Project in 2022.

When I witnessed the river on a warm October day, the light from the maples and the river made everything feel otherworldly. There wasn’t a trace of human activity, except for a wet paw print from a passing dog and a rusty bolt from a boat long gone. The arrangments of organic objects become the divination “we have stories to tell.”

NOTE: Framed size: 36 x 30.5 inches. Available for sale.

A CHANGE IS COMING “A CHANGE IS COMING”

I seem to be painting a lot of leaves these days. Plant leaves, tree leaves, dried and dead leaves. Leaves in a landscape, leaves up close.

From a scientific perspective, leaves are individual powerhouses, eating the sun, and absorbing carbon dioxide while releasing oxygen. Each leaf, no matter the species, (except succulents) has a network of veins and arteries that fuel plants and trees with glucose, the same simple sugar our brains run on.

From an average human perspective, leaves buffer our overabundance of man-made sounds, tree leaves protect us from the sun’s harmful rays. Most people will tell you a walk in a canopied forest has a calming effect.

From an artistic perspective, leaves hold an aesthetic that is balanced and transformative. I love seeing buds being pushed open by new golden leaves in spring. In autumn, I am drawn to their changing shapes and colors, a form of organic origami.

From an environmental perspective, I pay close attention to the background. So much of our ground is either paved in concrete or blacktop. Both contribute to climate change by covering vital soil that sequesters carbon, creating dirty water run-off from heavy rains, and absorbing the sun making everything hotter.

I dream of permeable paved roads so rainwater can be filtered before it lands in lakes and rivers. How lovely to walk in a neighborhood where instead of concrete sidewalks, there was a gentle footpath flanked by ribbons of wildflowers.

A change is coming.

NOTE: This piece is made using professional-grade watercolors and archival ink. Available for purchase. Currently unframed.

IN SEARCH FOR SERENITY “IN SEARCH FOR SERENITY”

BLUE SPRUCE: On the side of our house live two tall blue spruce trees. Walking under them, they create a micro-ecosystem of their own. It’s cool under their shade on an otherwise hot day.

Between these two trees, I see this arrangement that found its way into a watercolor painting after many weeks of detailed attention.

This watercolor is about balance, equanimity, and climate justice — for all species. Walk into any pine forest, or mixed evergreen woods and you will immediately notice the temperature change.

It’s cool and moist as the trees like it. They created this environment that suits them and their cooperative neighborhoods, the mushrooms, ferns, lichen, and moss.

As the planet gets hotter and drier, evergreens will disappear from our landscape. All ecosystems will go through change. The change is coming too swiftly for us.

NOTE: Framed size 21 x 21 inches. Available for sale.

MEADOW PINE PLAID WITH MUSHROOM BUTTONS “MEADOW PINE PLAID WITH MUSHROOM BUTTONS”

You can tell a lot about your surroundings just by looking down — I discover entire universes this way. A little imagination and the random arrangements of pine needles could be seen as ancient roadways carved into the earth if seen from high above.

We know there are conifers here so it must be cool and moist the way conifers like it.

There are deciduous trees nearby, too. Is it late summer or early autumn?

The lush grasses under the needles suggest there is more shade than sun and that the soil is acidic, something that happens where conifers grow. There are no signs of wildflowers, another indication that the soil could be acidic.

It may have rained recently — and just warm enough for small wild button mushrooms to pop up.

All the while the trees are in conversation, discussing matters through a network of mycorrhiza below ground entwining with their roots.

Next time you’re outside, in nature, take a look around. What do you see, smell, touch, hear? What stories can you tell by looking down at what is before your feet?