The BOP series plays semantically with the large artistic POP current. In fact, a channel for spirits, does not feel the awe of the great currents of the past. And so LUZ does not refrain of his artistic instinct from retracing the neoplasticism of Mondrian, the Dripping of Pollock and the deformation of physiognomy of Picasso. Not to mention the close ties with the theatre, its themes and its atmospheres.
Luz, going through theatre and its controversial techniques, became the visual artist he is right now
The well-rounded characters that inhabit the works of LUZ speak a cheeky and contemporary language, with allusions to the more aggressive and colorful Street Art. It is a strong sensory reminder that attracts distracted looks and immediately brings them to a phase of reflection: our society undergoes a homologation process.
We are therefore hopelessly alone in the midst of the teeming and dumb in the deafening noises: unable to express ourselves with something that goes beyond a conventional signal. This theme of loneliness permeates all the BOP paintings
“BOPWORLD”
“BOPCLOUD”
“BOPDRIP”
“BOPMEGALOMANIA”
“BOPOP”
“The men silent planet”
“THE SILENT PLANET”
