Heavy, fragile, and laborious, my creations are snapshots of time. I make what ignites me. The richness of the underlying reality, that which is interrogated by science and philosophy, became a predominant theme in my past and future projects. Facing controversies I suspend the conclusion, as incompatible thoughts and paradoxical evidences enrich our understanding of nature. I aspire to prolong the viewers’ stay in that capacity.
My works derive from the traditional stained-glass, from which they borrowed the energy of transparency and glare while giving ways to spatial silhouettes. Like sculptures, they bear glow, shade and perspective; I call them "convolutes".
My style adheres to the story, either in representational or abstract way. The quasi-subatomic compositions of mine are legitimately figurative representations of nature. Beauty starts in the laws of nature: an electron can't tell a lie, but it doesn't know prestige or reverence either.
“Sailing Away: the Emigrant”
“The Future Memories of a Ghost Town”
“Space Matters”
“Laplace's Demon”
