Fantasies are an aid, an escape. They are a way to survive periods of a partner's absence and are safe adventures that accompany
sexual stimulation. My previous work dealt with the effects of separation on relationships due to short-term work-related absence. An extension of this theme, my installation shifts to focus on the sexual fantasies that surface during periods of separation.
Confessions of a bored housewife attempts to debunk some of the stigmas related to fantasy experience and indulgence.
The installation presents the opportunity to embrace fantasies. Furnished with anthropomorphic ‘fantasy furniture’, audience
interaction is encouraged. Furniture is fashioned from elements reminiscent of masculine and feminine forms. The yonic and
phallic floral imagery suggests abstract anatomical characteristics, illustrating the bizarre that oftentimes exists in a fantasy world.
Visual and tactile stimulations are invited by the various jewel coloured fabrics.
My research methodology investigated the traditional role of a housewife and the psychology behind fantasies. I became
intrigued with the notion of ennui . Teysott and Seavitt (1996:49) define ennui: to be “bored by idleness” stemming from
“solitude or loneliness, monotony or dullness”. Using their scale of identification, I classify as a ‘bored housewife’. I am childless
and have little responsibility in terms of household duties. My fantasy world develops from boredom, especially during periods of
separation from my husband.
“Bean Bag”
“Fantasy Flower”
