Each painting and collage I see as being directed by the subject as the story/myth unfolds. These paintings and collages are examples of series' reflecting the surface tension of our times and my internal dynamic response. 'The Honest Man' is seeing 'The Blackman' as an unlimited potential, not a category that he has put on himself as a response to the unfounded rage he faces, each moment of his life in The 'United' States of America.