The Paintings of recent years allow me to immerse myself into “pure” painting without being lost in it. Over the years I have searched for this freedom in my work. Although I see my landscapes as not representing a particular motif or place, I always strive for the essence of the place and all that a “Landscape” can imply.
I explore and try to find the balance between the realistic image and the pictorial values for my paintings. The concept of multiple canvases and panels has always fascinated me. It leads me towards the medieval concept of religious paintings and their spirituality. I hope that spirituality and serenity are integral to my work. Colour and light are additional factors that guide my work. Colour to me is light.
For me, the works come close to a musical experience; as a result, many of the works have musical titles.
I feel the paintings are a direct, human and spiritual experience without confinement of the motif or formal restriction; yet still consist of all those elements that I have explored in my work over the years.
“Fanfare”
“Elegio Lento,”
“Interlud”
“Regoroso”
“Refraction, Triptych”
“Anamnesis I”
“Anamnesis II”
“Refraction, Diptych”
“Choral Prelude, Triptych”
“Primavera,”
