As you can tell, I love my hometown of Vancouver. I try to portray the sense that one might have when moving by it or through it, like when walking or running. Certain landmarks you see might hang in your head and then you see another landmark; in your mind, it all seems closer together and brighter. When you view a panorama, you usually move your eyes from one point of interest to the next and the next and that's how you "feel" a view, like it's all crammed into your head and almost overflowing. So that's how I paint it - with motion and endorphins.