This artist has the advantage of telling ancient tales with modern textures. Its geometric shapes that protrude from heaven diaphanous and nuanced to sunrises and sunsets, are evidence of a meditation on the postulates of Johann Carl Friedrich Gauss in which the German mathematician and philosopher, says that the need of the physical geometry can not be It is proven by human reason or for human reasons. Maybe in another life, he continues Gauss penetrate the nature of space, which is now unattainable.
Space for Aldo Claudio Medorini is perceived as an area where the female becomes gap and response between the man who lives in the immanent and transcendent in its projection.
“Elena”
“Penelope”
“Calypso”
“Circe”
“Abbraccio”
“Bacio”
“Il ponte delle torri”
“Creazione”
“Danae”
