Some of us are blown into bedazzled, hourglass lands. Like Dorothy, we become stuck between two worlds. Neither truly of our own making.
These in between places cultivate the ultimate combination of optimism and fear; of revolution and reverence; of memory and make believe... it is called desire. Desire is the ultimate queer technology. Desire is Q.
Memories can be sweet or painful. Sometimes, we indulge in them. Sometimes, they are deceptive. Sometimes, they take leave of us. There are memories we do not want to lose at any price and others we try to avoid as much as possible.
Our relationship to the past is characterized by the knowledge of the insurmountable distance to it. Only memory is capable of bringing the past into the light of the present; it is a procedure, however, that does not take place without interpretation and selection. Therefore, memory will always be constructed and fragmentary. Memory also contains an almost melancholy component: the experience that a memory references must first be complete in order to reach our consciousness—memory always presupposes a certain degree of loss.
Memory is not only retrospective; it also offers an opportunity to gaze forward. We employ memories to confirm the present and to be an impetus of renewal. Memory serves self-assurance and, in part, endows identity.
Everything is impermanent. When you know a beautiful glass is already broken, then every sip you take from it becomes precious. Art itself is about finding this same balance between suffering and desire. Art is Q. It is a technique of remembrance and a technology of make believe that allows us, at once, to bring both the past and the future into the present moment.
The visual disorder presented in my painted Q work is actually the representation of a curated... or "Queerated"... order. It is just a question of knowing the rules of the game for one to see the order that reigns. It’s like looking at a starry sky. Someone who doesn’t know the order of the stars will only see confusion, whereas an astronomer will have a very clear vision of things. My performance and video work are a kind of “map of the stars” for the viewer to allow you entry into my painted and constructed Q world.
While my Q work navigates a quasi auto-biographical narrative, the interplay of performance and video with my 2-D Q is intended to unfold ideas beyond the specific and anecdotal limits of my own queer journey to encompass a more general scope and encourage a broader dimension of meaning which encompasses the contemporary American outsider expereience in ways that are meant to reach beyond sexuality.
Q is desire manifested. Q is a force operating outside of normative structures and systems. There is fear in being an outsider. But, there is also great hope and exhilaration that a new entry and exit portal seems to have been found. Q is the same technology found in them ruby slippers of Dorothy. Q is desire. Art is Q. It is a form of technology that allows anyone to be a runaway Dorothy and inspire revolutionary action by finding home, not at the other end of a rainbow, but in one’s own skin and in exactly the place where they stand.
“memoryQuilt 1”
“memoryQuilt 2”
“memoryQuilt 3”
“memoryQuilt 4”
“memoryQuilt 5”
“memoryQuilt 6”
“memoryQuilt 7”
