Through his Blue Series the external surface of ‘blue projections are a metaphor for the outside world, also revealing some of what lies below.
the edge of realistic painting and abstraction. For example: patterns of light, colors and shapes are an external visual reality. However underneath these obscuring patterns, exists the unadulterated, pure, and sometimes naked subject. The ‘naked’, rather than the ‘nude’ is a metaphor for the true self or ‘one without layer’.
“In the Presence of an Angel”
“In Kannen en Kruiken”
