My artistic expression is composed by a mixture of spirit from old and great artistic schools with a force of certain sophisticated social criticism divided between dimensions of time and space. In that parallel reality the relation of aesthetic- existential is the essential for development of artistic metaphors and paradoxes.
Different cultural environments create an individual approach of the audience to art. That relation could be brought to valuable tolerance by successful impregnation between local tradition and internationalization. If we take that art has always served to metaphysical interpretation of reality, and if artistic content is an invitation to dialogue, we are then in a good position to give to our work global meaning.
“Absent door-keeper”
“Master of hard intentions”
“Protagonist”
“Permanent passerby”
