Deniz Orkus is questioning the material and consequently the event of dimension which develops in relation with surface. She wants to direct the two dimension drawing logic to the third dimension by using three dimension materials, even exceed this third dimension especially towards the one that is different from the dimension logic and she is cucceeding. She uses every opportunity to show that she is entirely in the track of aesthetic accents which stand close to contemporary that have become the opening of modernism. The artist who has shaped her last period works with mixed materials is intelligence spectator to thinking more by intelligence and reasoning concepts. And these two concepts are closer to thinking and consequently to the content side of her works. Another fact concerning Deniz is that she very quickly comprehends and practices everything that has reflected to her plastics and is covering her thoughts. Before explaining the dialectic connection that these two concepts constitute with the works of Deniz Orkus, the works of the artist are defined by media fragments written in a formal way, bottles, canvasses used on the reverse side, tick formulations with plaster effect and some logo type approaches which are special to the artist.
Since intelligence is an apprehension, comprehension and even a conceptual and judging faculty, the artist's last period works are related to the said four faculties because Deniz is expressing with all her personality that she has assimilated some facts on earth. When trying to judge what she has assimilated, she reflects also her worldly targets to her works.
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