04.11.13

VISIBLE WHITE

posted by Celeste Network

Visible White is an international call for photographic and video artworks curated by Paul Di Felice and Marinella Paderni. The curators invite artists to reflect on the theme ‘You See Me. Personal Identities in the Digital Age’ http://www.celesteprize.com/themeyouseemevisiblewhiteworks2014/ 3,000 € prizes in the categories 'Best Project' and 'Best Single Work'. Entries by 28 February 2014. Entry fee is 20 € per single work uploaded directly online and 45 € per projects that can contain up to 10 photographs and/or videos . By 30 March 2014, 20 finalists will be chosen by the selection panel which includes: - Jim Casper, LensCulture - Clare Grafik, Head of exhibitions at the Photographers Gallery - Hripsime Visser, Curator of Photography at the Stedelijk Museum - Bas Vroege, Director of Paradox

Visible White

03.11.13

OPEN ART EXHIBITION NOW ONLINE AND READY TO VIEW

posted by John R. Math

The Light Space & Time Online Art Gallery is pleased to announce that its November 2013 art exhibition is now posted on their website and is ready to view online. An art competition was held in September and October 2013 which determined and judged the art for this exhibition. The gallery did not have a theme for the art competition which was used to determine the participants to this exhibition. 2D artists who applied were allowed to select their own subject matter. To proceed to the gallery’s “Open” online art exhibition follow this link: http://www.lightspacetime.com/open-art-exhibition-november-2013/.

Open Art Exhibition Now Online and Ready to View

02.11.13

ALLA VIKSNE

posted by avartstudio

Alla Viksne was brought up in the tradition of Russian Realism. At the same time, she was inspired by the masters of early, pre-revolution Russian Avant-garde. In the past, these used to be the extreme opposites, but now it is clear that they can be unified through creative synthesis which brings forth pictorial culture, freedom and stylistic flexibility. Vassily Kandinsky once wrote about the art of inner necessity. To me, such necessity is born as the result of exceptionally vivid and keen visual impressions world, whether they are the streets of Moscow where she grew up and lived a significant portion of her life, or the hills of San Francisco near which I live presently, or a bouquet of fresh flowers, a face of a friend, a Gothic facade, a lithe contour of a nude body...

Alla Viksne

02.11.13

ALLA VIKSNE

posted by avartstudio

Alla Viksne was brought up in the tradition of Russian Realism. At the same time, she was inspired by the masters of early, pre-revolution Russian Avant-garde. In the past, these used to be the extreme opposites, but now it is clear that they can be unified through creative synthesis which brings forth pictorial culture, freedom and stylistic flexibility. Vassily Kandinsky once wrote about the art of inner necessity. To me, such necessity is born as the result of exceptionally vivid and keen visual impressions world, whether they are the streets of Moscow where I grew up and lived a significant portion of my life, or the hills of San Francisco near which I live presently, or a bouquet of fresh flowers, a face of a friend, a Gothic facade, a lithe contour of a nude body...

Alla Viksne

02.11.13

DMITRY YANUSHKEVICH

posted by avartstudio

Fate appeared at Dima Yanushkevich’s doorstep without knocking. When he was 12, he started to lose his vision. The Moscow doctors could not help. The family moved to California but alas – the American healthcare was unable to deal with the problem. Dmitry Yanushkevich had 8/100 of his vision capacity left in one eye, with the other eye barely able to distinguish light from darkness. And yet he paints and creates paintings – in water colors, acrylic paints and on the computer. A blind artist, something impossible made possible. * Naturally, you cannot but ask – how is this possible? A unique case does not abide by laws. Besides, an art critic does not have the psychological or physiological or any other similar sounding master keys. All we are left with are more or less plausible hypotheses.

Dmitry Yanushkevich